國立高雄大學圖資館 |

Language: English

Back

Independent Chinese documentaryfrom the studio to the street /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Independent Chinese documentaryLuke Robinson.
Reminder of title:	from the studio to the street /
Author:	Robinson, Luke.
Published:	Basingstoke :Palgrave Macmillan,2013.
Description:	1 online resource.
Subject:	Documentary filmsHistory and criticism.China
Online resource:	https://link.springer.com/book/10.1057/9781137271228
ISBN:	9781137271228 (electronic bk.)

Independent Chinese documentaryfrom the studio to the street /
Robinson, Luke.

Independent Chinese documentaryfrom the studio to the street /[electronic resource] :Luke Robinson. - Basingstoke :Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references and index.

Mapping Independent Chinese Documentary -- Metaphor and Event -- Time, Space and Movement -- Ethics, the Body and Digital Video -- Sound and Voice -- Conclusion -- Bibliography -- Films and Television Programmes Referenced.

In the past twenty years, China has witnessed the flowering of an independent documentary cinema characterized by a particular verite aesthetic. "Independent Chinese Documentary" traces the roots of this style back to the 1980s, and the gradual abandonment of studio-based filmmaking, dominant during the Maoist era, for shooting live and on location. Known in Chinese as "xianchang" - or being on 'the scene' - this documentary practice is partly distinguished by its embrace of the contingent. Through a series of synoptic case studies, this book considers the different ways in which contingency manifests in independent Chinese documentary; the practical and aesthetic challenges its mediation presents for individual film directors; and the reasons for the quality's significance, set against the backdrop of China's ongoing postsocialist transition, and the consequences of this process for the very act of documentary representation itself.

ISBN: 9781137271228 (electronic bk.)

Source: 496995Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

294654
Documentary films
--History and criticism.--ChinaIndex Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995.9.C6 / R63 2013

Dewey Class. No.: 791.43/61

Independent Chinese documentaryfrom the studio to the street /
LDR:02441cmm 2200373Ka 4500 001 403442
003 OCoLC
005 20130621115159.0
006 m o d
007 cr cn|||||||||
008 140117s2013 enk ob 001 0 eng d
020 $a 9781137271228 (electronic bk.)
020 $a 1137271221 (electronic bk.)
035 $a (OCoLC)825107013
035 $a ocn825107013
037 $a 496995 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d N $d YDXCP $d E7B
043 $a a-cc---
049 $a TEFA
050 4 $a PN1995.9.C6 $b R63 2013
072 7 $a ART $x 057000 $2 bisacsh
072 7 $a PER $x 004040 $2 bisacsh
082 0 4 $a 791.43/61 $2 23
100 1 $a Robinson, Luke. $3 643683
245 1 0 $a Independent Chinese documentary $h [electronic resource] : $b from the studio to the street / $c Luke Robinson.
260 $a Basingstoke : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
504 $a Includes bibliographical references and index.
505 0 $a Mapping Independent Chinese Documentary -- Metaphor and Event -- Time, Space and Movement -- Ethics, the Body and Digital Video -- Sound and Voice -- Conclusion -- Bibliography -- Films and Television Programmes Referenced.
520 $a In the past twenty years, China has witnessed the flowering of an independent documentary cinema characterized by a particular verite aesthetic. "Independent Chinese Documentary" traces the roots of this style back to the 1980s, and the gradual abandonment of studio-based filmmaking, dominant during the Maoist era, for shooting live and on location. Known in Chinese as "xianchang" - or being on 'the scene' - this documentary practice is partly distinguished by its embrace of the contingent. Through a series of synoptic case studies, this book considers the different ways in which contingency manifests in independent Chinese documentary; the practical and aesthetic challenges its mediation presents for individual film directors; and the reasons for the quality's significance, set against the backdrop of China's ongoing postsocialist transition, and the consequences of this process for the very act of documentary representation itself.
588 $a Description based on publisher supplied information; title not viewed.
650 0 $a Documentary films $z China $x History and criticism. $3 294654
650 7 $a ART / Film & Video $2 bisacsh $3 564899
650 7 $a PERFORMING ARTS / Film & Video / Reference $2 bisacsh $3 564900
655 4 $a Electronic books. $2 local. $3 214472
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9781137271228
938 $a EBSCOhost $b EBSC $n 533036
938 $a YBP Library Services $b YANK $n 9675180
938 $a ebrary $b EBRY $n ebr10655746
994 $a C0 $b TEF