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Theatre/ecology/cognitiontheorizing performer-object interaction in Grotowski, Kantor, and Meyerhold /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Theatre/ecology/cognitionTeemu Paavolainen.
Reminder of title:	theorizing performer-object interaction in Grotowski, Kantor, and Meyerhold /
Author:	Paavolainen, Teemu.
Published:	New York, NY :Palgrave Macmillan,2012.
Description:	1 online resource (xiii, 283 p.) :ill.
Subject:	TheaterPhilosophy.
Online resource:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9781137277923 (electronic bk.)

Theatre/ecology/cognitiontheorizing performer-object interaction in Grotowski, Kantor, and Meyerhold /
Paavolainen, Teemu.

Theatre/ecology/cognitiontheorizing performer-object interaction in Grotowski, Kantor, and Meyerhold /[electronic resource] :Teemu Paavolainen. - 1st ed. - New York, NY :Palgrave Macmillan,2012. - 1 online resource (xiii, 283 p.) :ill. - Cognitive studies in literature and performance. - Cognitive studies in literature and performance..

Includes bibliographical references (p. [253]-272) and index.

Introduction -- Agents and objects: a primer to concepts and approaches -- The Meyerhold case: scaffolding action and interpretation -- The Polish case: poor theatre/s and cultural ecology -- Grotowski and the "objectivity" of performance -- Pillories to barricade: Kantor's infernal ecologies -- Epilogue: performing humanity: tensions and continuities.

Theatrical meanings are enacted in onstage 'ecologies' of actors and objects irrespective of spoken language. Applying the concepts of affordances and image schemas to extensive analyses of Vsevolod Meyerhold's The Magnanimous Cuckold (1922), Jerzy Grotowski's Akropolis (1962-69), and Tadeusz Kantor's Let the Artists Die! (1985), Paavolainen also traces intriguing continuities from their cultural contexts, through the directors' philosophies, to international reviews and scholarship. Artificial divisions of mind over matter and subjects over objects are rejected for the ecological grounding of all cognition: understood as fundamentally embodied, embedded, extended, and enactive, mind also is ultimately performed in the world.

ISBN: 9781137277923 (electronic bk.)

Source: 636866Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

453423
Me�ierkhol�d, V. �E.
1874-1940--Influence.Subjects--Topical Terms:

221873
Theater
--Philosophy.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN2039 / .P25 2012

Dewey Class. No.: 792.01

Theatre/ecology/cognitiontheorizing performer-object interaction in Grotowski, Kantor, and Meyerhold /
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300 $a 1 online resource (xiii, 283 p.) : $b ill.
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504 $a Includes bibliographical references (p. [253]-272) and index.
505 0 $a Introduction -- Agents and objects: a primer to concepts and approaches -- The Meyerhold case: scaffolding action and interpretation -- The Polish case: poor theatre/s and cultural ecology -- Grotowski and the "objectivity" of performance -- Pillories to barricade: Kantor's infernal ecologies -- Epilogue: performing humanity: tensions and continuities.
520 $a Theatrical meanings are enacted in onstage 'ecologies' of actors and objects irrespective of spoken language. Applying the concepts of affordances and image schemas to extensive analyses of Vsevolod Meyerhold's The Magnanimous Cuckold (1922), Jerzy Grotowski's Akropolis (1962-69), and Tadeusz Kantor's Let the Artists Die! (1985), Paavolainen also traces intriguing continuities from their cultural contexts, through the directors' philosophies, to international reviews and scholarship. Artificial divisions of mind over matter and subjects over objects are rejected for the ecological grounding of all cognition: understood as fundamentally embodied, embedded, extended, and enactive, mind also is ultimately performed in the world.
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600 1 0 $a Me�ierkhol�d, V. �E. $q (Vsevolod �Emil�evich), $d 1874-1940 $x Influence. $3 453423
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