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Screening the dark side of lovefrom Euro-horror to American cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Screening the dark side of loveedited by Karen A. Ritzenhoff and Karen Randell.
Reminder of title:	from Euro-horror to American cinema /
other author:	Ritzenhoff, Karen A.
Published:	New York, N.Y. :Palgrave Macmillan,2012.
Description:	1 online resource (xxiv, 256 p.) :ill.
Notes:	Most essays in this collection were presented at a 2010 biennial conference, Film and History, held in Milwaukee, where "Love" was the main theme.
Subject:	Love in motion picturesCongresses.
Online resource:	https://link.springer.com/book/10.1057/9781137096630
ISBN:	9781137096630 (electronic bk.)

Screening the dark side of lovefrom Euro-horror to American cinema /
Screening the dark side of lovefrom Euro-horror to American cinema /[electronic resource] :edited by Karen A. Ritzenhoff and Karen Randell. - New York, N.Y. :Palgrave Macmillan,2012. - 1 online resource (xxiv, 256 p.) :ill.

Most essays in this collection were presented at a 2010 biennial conference, Film and History, held in Milwaukee, where "Love" was the main theme.

Includes bibliographical references (p. 225-236) and index.

The whip and the body: sex, violence, and performative spectatorship in Euro-horror S&M cinema / Ian Olney -- Re-imagining censorship as "reel" mutilation: why not release a G-rated version of David Cronenberg's Crash? / Janet S. Robinson -- Antichrist: lost children, love, and the fear of excess / Terrie Waddell -- Black bucks and Don Juans: in the cut's seductive mythologies of race and sex / Tiel Lundy -- Mad love: the anxiety of difference in the films of Lon Chaney Sr. / Karen Randell -- Love, crime and Agatha Christie / Mark Aldridge -- Monstrous love: oppression, intimacy and transformation in Mary Reilly / Cynthia J. Miller -- Self-mutilation and dark love in Darren Aronofsky's Black swan (2010) and Michael Haneke's The piano teacher / Karen A. Ritzenhoff -- Female pleasure and performance: masochism in Belle de jour and Histoire d'o / Samm Deighan -- "What's in the basket?": sexualized and sexualizing violence in Frank Henenlotter's Basket case / Lisa Cunningham -- Blood and bravado: violence, sex, and Spain in Pedro Almod�ovar's film Matador / Meggie Morris -- The backhand of backlash: troubling the gender politics of domestic violence scenes in Tyler Perry's The family that preys / Jenise Hudson -- Fatal attraction redux?: the gender, racial, and class politics of obsessed / Suzanne Leonard and Bailey Ray -- The idea of love in the TV serial drama In treatment / Christine Lang -- Fucking machines: high-tech bodies in pornography / Sarah Schaschek.

This edited collection unpicks the ways in which love can be understood globally as a problematic and often violent transgression rather than the narrative of 'happy endings' that Classical Hollywood has offered. Its engagement with varying methodologies of history, textual analysis, psychoanalytic models and cultural critique ensures that the edition will be useful for courses taught across the globe on film, television and popular culture. The collection comprises of international scholars who engage with films that have been made from the margins to the mainstream of cinema to explore issues surrounding gender identity and spectatorship.

ISBN: 9781137096630 (electronic bk.)

Source: 610712Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

643812
Love in motion pictures
--Congresses.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995.9.L6 / S38 2012

Dewey Class. No.: 791.43/6543

Screening the dark side of lovefrom Euro-horror to American cinema /
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505 0 $a The whip and the body: sex, violence, and performative spectatorship in Euro-horror S&M cinema / Ian Olney -- Re-imagining censorship as "reel" mutilation: why not release a G-rated version of David Cronenberg's Crash? / Janet S. Robinson -- Antichrist: lost children, love, and the fear of excess / Terrie Waddell -- Black bucks and Don Juans: in the cut's seductive mythologies of race and sex / Tiel Lundy -- Mad love: the anxiety of difference in the films of Lon Chaney Sr. / Karen Randell -- Love, crime and Agatha Christie / Mark Aldridge -- Monstrous love: oppression, intimacy and transformation in Mary Reilly / Cynthia J. Miller -- Self-mutilation and dark love in Darren Aronofsky's Black swan (2010) and Michael Haneke's The piano teacher / Karen A. Ritzenhoff -- Female pleasure and performance: masochism in Belle de jour and Histoire d'o / Samm Deighan -- "What's in the basket?": sexualized and sexualizing violence in Frank Henenlotter's Basket case / Lisa Cunningham -- Blood and bravado: violence, sex, and Spain in Pedro Almod�ovar's film Matador / Meggie Morris -- The backhand of backlash: troubling the gender politics of domestic violence scenes in Tyler Perry's The family that preys / Jenise Hudson -- Fatal attraction redux?: the gender, racial, and class politics of obsessed / Suzanne Leonard and Bailey Ray -- The idea of love in the TV serial drama In treatment / Christine Lang -- Fucking machines: high-tech bodies in pornography / Sarah Schaschek.
520 $a This edited collection unpicks the ways in which love can be understood globally as a problematic and often violent transgression rather than the narrative of 'happy endings' that Classical Hollywood has offered. Its engagement with varying methodologies of history, textual analysis, psychoanalytic models and cultural critique ensures that the edition will be useful for courses taught across the globe on film, television and popular culture. The collection comprises of international scholars who engage with films that have been made from the margins to the mainstream of cinema to explore issues surrounding gender identity and spectatorship.
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