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Semiotics of exile in contemporary Chinese film

Record Type:	Electronic resources : Monograph/item
Title/Author:	Semiotics of exile in contemporary Chinese filmHong Zeng.
Author:	Zeng, Hong.
Published:	New York, NY :Palgrave Macmillan,2012.
Description:	1 online resource.
Subject:	Emigration and immigration in motion pictures.
Online resource:	https://link.springer.com/book/10.1057/9781137031631
ISBN:	9781137031631 (electronic bk.)

Semiotics of exile in contemporary Chinese film
Zeng, Hong.

Semiotics of exile in contemporary Chinese film[electronic resource] /Hong Zeng. - New York, NY :Palgrave Macmillan,2012. - 1 online resource. - Semiotics and popular culture. - Semiotics and popular culture..

Includes bibliographical references.

Introduction -- Semiotics of photography and exile -- Postmodernism and semiotics of exile -- Female doubling and postcolonial exile -- Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town" -- Failure of root-searching in Cheng Kaige -- Semiotics of exile and displaced film codes: Jia Zhangke's three films -- Conclusion.

Examines film form as a language that generates meaning through film codes, demonstrating that the motif of exile is not only a crucial characteristic of mainland China in its postsocialist, postmodern era and age of globalization, but also a defining frame for Taiwan and Hong Kong with their colonialist pasts.

ISBN: 9781137031631 (electronic bk.)

Source: 567813Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

632419
Emigration and immigration in motion pictures.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995.9.E44 / Z46 2012

Dewey Class. No.: 791.430951

Semiotics of exile in contemporary Chinese film
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245 1 0 $a Semiotics of exile in contemporary Chinese film $h [electronic resource] / $c Hong Zeng.
260 $a New York, NY : $b Palgrave Macmillan, $c 2012.
300 $a 1 online resource.
490 1 $a Semiotics and popular culture
504 $a Includes bibliographical references.
505 0 $a Introduction -- Semiotics of photography and exile -- Postmodernism and semiotics of exile -- Female doubling and postcolonial exile -- Semiotics of exile and genre upsetting: Xin Jin's subversion of melodrama in "Hibiscus town" -- Failure of root-searching in Cheng Kaige -- Semiotics of exile and displaced film codes: Jia Zhangke's three films -- Conclusion.
520 $a Examines film form as a language that generates meaning through film codes, demonstrating that the motif of exile is not only a crucial characteristic of mainland China in its postsocialist, postmodern era and age of globalization, but also a defining frame for Taiwan and Hong Kong with their colonialist pasts.
588 $a Description based on print version record.
650 0 $a Emigration and immigration in motion pictures. $3 632419
650 0 $a Displacement (Psychology) in motion pictures. $3 643959
650 0 $a Symbolism in motion pictures. $3 643960
650 0 $a Motion pictures $z China. $3 179153
650 0 $a Motion pictures $z Taiwan. $3 179154
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650 7 $a PERFORMING ARTS / Film & Video / Reference $2 bisacsh $3 564900
655 4 $a Electronic books. $2 local. $3 214472
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830 0 $a Semiotics and popular culture. $3 584742
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9781137031631
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