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The art of reconciliationphotography and the conception of dialectics in Benjamin, Hegel and Derrida /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The art of reconciliationDag Petersson.
其他題名:	photography and the conception of dialectics in Benjamin, Hegel and Derrida /
作者:	Petersson, Dag.
出版者:	Hampshire :Palgrave Macmillan,2013.
面頁冊數:	1 online resource.
附註:	Includes index.
標題:	PhotographyPhilosophy.
電子資源:	https://link.springer.com/book/10.1057/9781137029942
ISBN:	9781137029942 (electronic bk.)

The art of reconciliationphotography and the conception of dialectics in Benjamin, Hegel and Derrida /
Petersson, Dag.

The art of reconciliationphotography and the conception of dialectics in Benjamin, Hegel and Derrida /[electronic resource] :Dag Petersson. - Hampshire :Palgrave Macmillan,2013. - 1 online resource.

Includes index.

Preface -- PART I -- 1. Introduction to a Reality of Dreams -- 2. Image, Remembrance, Awakening: Toward a Dialectics of Intensity -- 3. Correspondences: Postal, Political and Poetical -- 4. Water: The Revolutionary Element of Reflection and Likeness -- 5. Fan�tmes, or Death and the Metropolis: Reconciliation as the Shock of History -- 6. Categories of Language, Vision and Music -- PART II -- 7. The Forces of a Preface -- 8. Sacrifice: the Gift to Economy -- PART III -- 9. Love and the Difference a Family Makes.

Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises? What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself? An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element - light - can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography.

ISBN: 9781137029942 (electronic bk.)

Source: 594147Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

178751
Benjamin, Walter,
1892-1940.Subjects--Topical Terms:

233229
Photography
--Philosophy.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: TR183 / .P465 2013

Dewey Class. No.: 770.1

The art of reconciliationphotography and the conception of dialectics in Benjamin, Hegel and Derrida /
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505 0 $a Preface -- PART I -- 1. Introduction to a Reality of Dreams -- 2. Image, Remembrance, Awakening: Toward a Dialectics of Intensity -- 3. Correspondences: Postal, Political and Poetical -- 4. Water: The Revolutionary Element of Reflection and Likeness -- 5. Fan�tmes, or Death and the Metropolis: Reconciliation as the Shock of History -- 6. Categories of Language, Vision and Music -- PART II -- 7. The Forces of a Preface -- 8. Sacrifice: the Gift to Economy -- PART III -- 9. Love and the Difference a Family Makes.
520 $a Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises? What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself? An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element - light - can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography.
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