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Behind the screen :inside European p...
~
Europe.
Behind the screen :inside European production cultures /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Behind the screen :edited by Petr Szczepanik and Patrick Vonderau.
Reminder of title:
inside European production cultures /
other author:
Szczepanik, Petr,
Description:
1 online resource.
Subject:
Motion picture industryEurope.
Subject:
Europe.
Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137282187
ISBN:
1137282185 (electronic bk.)
Behind the screen :inside European production cultures /
Behind the screen :
inside European production cultures /edited by Petr Szczepanik and Patrick Vonderau. - 1 online resource. - Global cinema. - Global cinema..
Includes bibliographical references.
Introduction; Petr Szczepanik and Patrick Vonderau -- PART I: FIELDS AND APPROACHES -- 1. Borderlands, Contact Zones, and Boundary Games: A Conversation with John T. Caldwell; Patrick Vonderau -- 2. Analyzing Production from a Socio-Material Perspective; Sara Malou Strandvad -- 3. The 'Cultural' of Production and Career; Chris Mathieu -- 4. Pacts of Embodiment: A Comparative Ethnography of Filmmakers' Gestures; Emmanuel Grimaud -- 5. Film Production as a Palimpsest; Sylvie Lindeperg -- PART II: MODES OF PRODUCTION -- 6. Stress Aesthetics and Deprivation 'Pay' Systems; John T. Caldwell -- 7. The State-Socialist Mode of Production and the Political History of Production Culture; Petr Szczepanik -- 8. A Flexible Mode of Production: Internationalizing Hollywood Filmmaking in Postwar Europe; Daniel Steinhart -- 9. A European Take on the Showrunner? Danish Television Drama Production; Eva Novrup Redvall -- 10. Exporting Nollywood: Nigerian Video Filmmaking in Europe; Alessandro Jedlowski -- PART III: THE POLITICS OF CREATIVITY -- 11. Inequalities in Media Work; Rosalind Gill -- 12. Subjects At Work: Investigating the Creative Labour of British Screenwriters; Bridget Conor -- 13. Policy or Practice? Deconstructing Creative Industries; Philip Drake.
Production studies has developed into an interdisciplinary field of inquiry of film and television "production cultures," going beyond traditional examinations of authorship and industry structure. Studying production as culture involves gathering empirical data about the lived realities of people involved in media production - about collaboration and conflicts, routines and rituals, lay theories and performative actions. This volume broadens the scope of production studies by analyzing geographic and historical alternatives to contemporary Hollywood. At the same time, it invites disciplines such as ethnography, aesthetics, or sociology of art to reconsider established concepts of film and media studies like creative agency, genesis of a film work, or transnational production.
ISBN: 1137282185 (electronic bk.)
Source: 636943Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
293101
Motion picture industry
--Europe.Subjects--Geographical Terms:
317207
Europe.
Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PN1993.5.E8 / B44 2013
Dewey Class. No.: 791.43/094
Behind the screen :inside European production cultures /
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inside European production cultures /
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edited by Petr Szczepanik and Patrick Vonderau.
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Introduction; Petr Szczepanik and Patrick Vonderau -- PART I: FIELDS AND APPROACHES -- 1. Borderlands, Contact Zones, and Boundary Games: A Conversation with John T. Caldwell; Patrick Vonderau -- 2. Analyzing Production from a Socio-Material Perspective; Sara Malou Strandvad -- 3. The 'Cultural' of Production and Career; Chris Mathieu -- 4. Pacts of Embodiment: A Comparative Ethnography of Filmmakers' Gestures; Emmanuel Grimaud -- 5. Film Production as a Palimpsest; Sylvie Lindeperg -- PART II: MODES OF PRODUCTION -- 6. Stress Aesthetics and Deprivation 'Pay' Systems; John T. Caldwell -- 7. The State-Socialist Mode of Production and the Political History of Production Culture; Petr Szczepanik -- 8. A Flexible Mode of Production: Internationalizing Hollywood Filmmaking in Postwar Europe; Daniel Steinhart -- 9. A European Take on the Showrunner? Danish Television Drama Production; Eva Novrup Redvall -- 10. Exporting Nollywood: Nigerian Video Filmmaking in Europe; Alessandro Jedlowski -- PART III: THE POLITICS OF CREATIVITY -- 11. Inequalities in Media Work; Rosalind Gill -- 12. Subjects At Work: Investigating the Creative Labour of British Screenwriters; Bridget Conor -- 13. Policy or Practice? Deconstructing Creative Industries; Philip Drake.
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Production studies has developed into an interdisciplinary field of inquiry of film and television "production cultures," going beyond traditional examinations of authorship and industry structure. Studying production as culture involves gathering empirical data about the lived realities of people involved in media production - about collaboration and conflicts, routines and rituals, lay theories and performative actions. This volume broadens the scope of production studies by analyzing geographic and historical alternatives to contemporary Hollywood. At the same time, it invites disciplines such as ethnography, aesthetics, or sociology of art to reconsider established concepts of film and media studies like creative agency, genesis of a film work, or transnational production.
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http://www.palgraveconnect.com/doifinder/10.1057/9781137282187
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電子館藏
1圖書
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EB PN1993.5.E8 B44
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1 records • Pages 1 •
1
Multimedia
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http://www.palgraveconnect.com/doifinder/10.1057/9781137282187
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