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Shakespeare's Surrogates :Rewriting Renaissance Drama /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Shakespeare's Surrogates :Sonya Freeman Loftis.
Reminder of title:	Rewriting Renaissance Drama /
Author:	Loftis, Sonya Freeman,
Description:	1 online resource.
Subject:	1900 - 1999
Subject:	DramaHistory and criticism.20th century
Online resource:	https://link.springer.com/book/10.1057/9781137321374
ISBN:	1137321377 (electronic bk.)

Shakespeare's Surrogates :Rewriting Renaissance Drama /
Loftis, Sonya Freeman,1983-

Shakespeare's Surrogates :Rewriting Renaissance Drama /Sonya Freeman Loftis. - 1 online resource.

Blaming the bard: Shaw, Shakespeare, Shotover -- Tearing the skin off of history: Brecht and the early modern body -- To face my dead at last: the personal and literary ghosts of Long day's journey into night -- Some remains: forgetting Shakespeare in Endgame and Happy days -- Blood is compulsory: the player's death in Rosencrantz and Guildenstern are dead -- A mother's womb is not a one-way street: re-entering the Shakespearean womb of Hamletmachine.

"Shakespeare's Surrogates" contends that the adaptation of Renaissance drama played a key role in the development of modern drama's major aesthetic movements. This book reveals the way that modern drama built itself in response to its Elizabethan past, ransacking the literary work of Shakespeare and his contemporaries for 'new' innovations in dramatic technique and content. Indeed, playwrights central to the evolution of modern and postmodern drama often returned at key moments in their writing careers to the remains of the Renaissance. Sonya Freeman Loftis argues that for playwrights such as Bernard Shaw, Bertolt Brecht, Eugene O'Neill, Samuel Beckett, Tom Stoppard, and Heiner Muller, Shakespearean appropriation was central both to the creation of their public personas and to the development of their own dramatic canons.

ISBN: 1137321377 (electronic bk.)

Source: 660847Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

392937
Shakespeare, William,
1564-1616--Histories.Subjects--Chronological Terms:

1900 - 1999
Subjects--Topical Terms:

399554
Drama
--History and criticism.--20th centuryIndex Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1861 / .L63 2013

Dewey Class. No.: 809.2/04

Shakespeare's Surrogates :Rewriting Renaissance Drama /
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003 OCoLC
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006 m o d
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020 $a 1137321377 (electronic bk.)
020 $a 9781137321374 (electronic bk.)
035 $a (OCoLC)867767678
035 $a ocn867767678
037 $a 660847 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $e rda $e pn $c UKPGM $d IDEBK $d OCLCO $d CDX $d EBLCP $d N $d OCLCO $d E7B $d OCLCF
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072 7 $a BIO $x 007000 $2 bisacsh
082 0 4 $a 809.2/04 $2 23
100 1 $a Loftis, Sonya Freeman, $d 1983- $e author. $3 687225
245 1 0 $a Shakespeare's Surrogates : $b Rewriting Renaissance Drama / $c Sonya Freeman Loftis.
264 1 $a New York : $b Palgrave Macmillan, $c [2013]
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
505 0 $a Blaming the bard: Shaw, Shakespeare, Shotover -- Tearing the skin off of history: Brecht and the early modern body -- To face my dead at last: the personal and literary ghosts of Long day's journey into night -- Some remains: forgetting Shakespeare in Endgame and Happy days -- Blood is compulsory: the player's death in Rosencrantz and Guildenstern are dead -- A mother's womb is not a one-way street: re-entering the Shakespearean womb of Hamletmachine.
520 $a "Shakespeare's Surrogates" contends that the adaptation of Renaissance drama played a key role in the development of modern drama's major aesthetic movements. This book reveals the way that modern drama built itself in response to its Elizabethan past, ransacking the literary work of Shakespeare and his contemporaries for 'new' innovations in dramatic technique and content. Indeed, playwrights central to the evolution of modern and postmodern drama often returned at key moments in their writing careers to the remains of the Renaissance. Sonya Freeman Loftis argues that for playwrights such as Bernard Shaw, Bertolt Brecht, Eugene O'Neill, Samuel Beckett, Tom Stoppard, and Heiner Muller, Shakespearean appropriation was central both to the creation of their public personas and to the development of their own dramatic canons.
588 $a Description based on print version record.
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Histories. $3 392937
600 1 7 $a Shakespeare, William, $d 1564-1616. $3 177494
648 7 $a 1900 - 1999 $2 fast
650 0 $a Drama $y 20th century $x History and criticism. $3 399554
650 7 $a BIOGRAPHY & AUTOBIOGRAPHY / Literary $2 bisacsh $3 564804
650 7 $a Drama. $3 179480
650 7 $a Influence (Literary, artistic, etc.) $3 179041
655 4 $a Electronic books. $2 local. $3 214472
655 7 $a Criticism, interpretation, etc. $2 fast $3 685464
776 0 8 $i Print version: $a Loftis, Sonya Freeman, 1983- $t Shakespeare's Surrogates $z 9781137352538 $w (DLC) 2013024478 $w (OCoLC)853113560
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9781137321374