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Avant-garde theatre sound :staging sonic modernity /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Avant-garde theatre sound :by Adrian Curtin.
其他題名:	staging sonic modernity /
作者:	Curtin, Adrian,
面頁冊數:	1 online resource.
標題:	1800 - 1999
標題:	Experimental theaterHistory19th century.
電子資源:	https://link.springer.com/book/10.1057/9781137324795
ISBN:	1137324791 (electronic bk.)

Avant-garde theatre sound :staging sonic modernity /
Curtin, Adrian,1980-

Avant-garde theatre sound :staging sonic modernity /by Adrian Curtin. - 1 online resource. - Avant-gardes in performance. - Avant-gardes in performance..

Includes bibliographical references and index.

Introduction: The sound of no hands clapping -- The acoustic imaginary -- Theatre sound in the age of mechanical reproduction -- Reinventing language: sense and nonsense -- Hearing affectively: the noise of avant-garde performance -- Conclusion: a resounding?.

Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but largely ignored aspect of theatre history. In this book, Curtin shows how attention to this activity enhances our understanding of artistic practice (modernism) and historical circumstance (modernity) and considers how avant-gardists staged sonic modernity by exploring its conceptual and communicative possibilities as well as its experiential realities. He critically examines avant-garde theatre through a composite analysis of dramatic texts, historical productions, sound recordings, philosophical speculations, and social movements.

ISBN: 1137324791 (electronic bk.)

Source: 660343Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1800 - 1999
Subjects--Topical Terms:

688188
Experimental theater
--History--19th century.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN2091.S6 / C87 2014

Dewey Class. No.: 792.02/4

Avant-garde theatre sound :staging sonic modernity /
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520 $a Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but largely ignored aspect of theatre history. In this book, Curtin shows how attention to this activity enhances our understanding of artistic practice (modernism) and historical circumstance (modernity) and considers how avant-gardists staged sonic modernity by exploring its conceptual and communicative possibilities as well as its experiential realities. He critically examines avant-garde theatre through a composite analysis of dramatic texts, historical productions, sound recordings, philosophical speculations, and social movements.
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