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Editing, performance, texts :new practices in Medieval and early modern English drama /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Editing, performance, texts :edited by Jacqueline Jenkins and Julie Sanders.
其他題名:	new practices in Medieval and early modern English drama /
其他作者:	Jenkins, Jacqueline,
面頁冊數:	1 online resource.
標題:	1500 - 1600
標題:	DramaEditing.
電子資源:	https://link.springer.com/book/10.1057/9781137320117
ISBN:	1137320117 (electronic bk.)

Editing, performance, texts :new practices in Medieval and early modern English drama /
Editing, performance, texts :new practices in Medieval and early modern English drama /edited by Jacqueline Jenkins and Julie Sanders. - 1 online resource.

Introduction: 'New Practices', Jacqueline Jenkins and Julie Sanders -- PART I: ENABLING MANUSCRIPTS TO SPEAK-- 1. What the "Beauchamp Pageant" Says About Medieval Plays, Claire Sponsler -- 2. Reading Images, Drawing Texts: The Illustrated "Abbey of the Holy Ghost" in British Library MS Stowe 39', Boyda Johnstone -- 3. The Towneley Manuscript and Performance: Tudor Recycling?, Murray McGillivray -- 4. Performing the Percy Folio, Andrew Taylor -- PART II: PERFORMANCE TRACES IN THE ARCHIVE-- 5. London Commercial Theatre 1500-1576, Mary Erler -- 6. The Revision of Manuscript Drama, James Purkis -- 7. Playing Ghismonda for 'fooles' and 'noble friends': Revising for Performance Between "Glausamond" and "Ghismonda", Kirsten Inglis -- 8. Cressida's Letter: Readings and Performances in the Shakespearean Archive, J. Gavin Paul-- PART III: EDITING THROUGH PERFORMANCE-- 9. (Un)editing with (Non)fictional Bodies: Pope's Daggers, Lynette Hunter and Peter Lichtenfels-- 10. Influencing Editors, Influencing Performers: The Page to Stage Relationship, Christie Carson-- 11. Actors and Editors: A Feature of the Edition "Richard Brome Online", Richard Cave, Eleanor Lowe and Brian Woolland.

The critical work of editing performance texts poses particular challenges for historians and scholars of the early periods of English literature, not least of which is the ephemerality of performance and the fragility of the archival evidence. The contributors to this volume engage with this challenge, asking how might editors of early period drama and performance literature account for the performance histories implied in the extant documents. The resulting chapters work in dialogue with each other to challenge many current givens in medieval and early modern drama research, especially around periodization and editorial practice, and around what constitutes the archive. Divided into three key parts headed 'Enabling Manuscripts to Speak', 'Performance Traces in the Archive' and 'Editing Through Performance', the chapters collected here showcase cutting-edge research practices and approaches in textual editing, and in manuscript and performance studies to produce new ways of reading and working for students and scholars alike.

ISBN: 1137320117 (electronic bk.)

Source: 661625Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1500 - 1600
Subjects--Topical Terms:

688920
Drama
--Editing.Index Terms--Genre/Form:

685464
Criticism, interpretation, etc.

LC Class. No.: PN1661

Dewey Class. No.: 808.2

Editing, performance, texts :new practices in Medieval and early modern English drama /
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505 0 $a Introduction: 'New Practices', Jacqueline Jenkins and Julie Sanders -- PART I: ENABLING MANUSCRIPTS TO SPEAK-- 1. What the "Beauchamp Pageant" Says About Medieval Plays, Claire Sponsler -- 2. Reading Images, Drawing Texts: The Illustrated "Abbey of the Holy Ghost" in British Library MS Stowe 39', Boyda Johnstone -- 3. The Towneley Manuscript and Performance: Tudor Recycling?, Murray McGillivray -- 4. Performing the Percy Folio, Andrew Taylor -- PART II: PERFORMANCE TRACES IN THE ARCHIVE-- 5. London Commercial Theatre 1500-1576, Mary Erler -- 6. The Revision of Manuscript Drama, James Purkis -- 7. Playing Ghismonda for 'fooles' and 'noble friends': Revising for Performance Between "Glausamond" and "Ghismonda", Kirsten Inglis -- 8. Cressida's Letter: Readings and Performances in the Shakespearean Archive, J. Gavin Paul-- PART III: EDITING THROUGH PERFORMANCE-- 9. (Un)editing with (Non)fictional Bodies: Pope's Daggers, Lynette Hunter and Peter Lichtenfels-- 10. Influencing Editors, Influencing Performers: The Page to Stage Relationship, Christie Carson-- 11. Actors and Editors: A Feature of the Edition "Richard Brome Online", Richard Cave, Eleanor Lowe and Brian Woolland.
520 $a The critical work of editing performance texts poses particular challenges for historians and scholars of the early periods of English literature, not least of which is the ephemerality of performance and the fragility of the archival evidence. The contributors to this volume engage with this challenge, asking how might editors of early period drama and performance literature account for the performance histories implied in the extant documents. The resulting chapters work in dialogue with each other to challenge many current givens in medieval and early modern drama research, especially around periodization and editorial practice, and around what constitutes the archive. Divided into three key parts headed 'Enabling Manuscripts to Speak', 'Performance Traces in the Archive' and 'Editing Through Performance', the chapters collected here showcase cutting-edge research practices and approaches in textual editing, and in manuscript and performance studies to produce new ways of reading and working for students and scholars alike.
588 $a Description based on publisher supplied information; title not viewed.
648 7 $a 1500 - 1600 $2 fast
650 0 $a Drama $x Editing. $3 688920
650 0 $a English drama $y Early modern and Elizabethan, 1500-1600 $x History and criticism. $3 178984
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655 7 $a Criticism, interpretation, etc. $2 fast $3 685464
655 7 $a Electronic books. $2 local. $3 214472
700 1 $a Jenkins, Jacqueline, $e editor. $3 688918
700 1 $a Sanders, Julie, $d 1968- $e editor. $3 688919
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856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9781137320117