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British television animation 1997-2010drawing comic tradition /
Record Type:
Electronic resources : Monograph/item
Title/Author:
British television animation 1997-2010Van Norris.
Reminder of title:
drawing comic tradition /
Author:
Norris, Van.
Published:
Basingstoke :Palgrave Macmillan :2014.
Description:
224 p.
Notes:
Electronic book text.
Notes:
Epublication based on: 9781137330932.
Subject:
Animated television programsHistory and criticismGreat Britain.
Online resource:
Online journal 'available contents' page
ISBN:
1137330945 (electronic bk.) :
British television animation 1997-2010drawing comic tradition /
Norris, Van.
British television animation 1997-2010
drawing comic tradition /[electronic resource] :Van Norris. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 224 p.
Electronic book text.
Introduction 1. From here to there: First, Second and Third Wave Animation 2. A Quotation of Normality - The Family Myth 3. 'C'mon Mum Monday Night is Jihad Night' - Race and Nostalgia 4. 'Unpack That...' - Animating the Male 5. Sacred Territory - Faith, Satire and the Third Wave Conclusion: It'll Never Be as Good Again.
Document
British Television Animation 1997-2010 charts a moment in TV history where UK comic animation graduated from the margins as part of a post-Simpsons broadcast landscape. Shows like Monkey Dust, Modern Toss and Stressed Eric not only reflected the times but they ushered in an era of ambition and belief in British adult animation.British Television Animation 1997-2010 charts a moment in TV history when UK comic animation graduated from the margins as part of a post-Simpsons broadcast landscape. Millennial shows like Monkey Dust, Bob and Margaret, I am Not an Animal, Modern Toss and Stressed Eric, among many others, not only reflected the changing times but they also ushered in an era of ambition and belief in the potential of British adult animation. Van Norris traces the evolution of television animation and discusses a raft of innovative works that not only raised the profile of British animation but, at the same time, made a valuable but under-assessed contribution to the UK TV comedy landscape at the turn of the century. This is the story of a neglected history, the retrieval of a crucial stage in the development of mainstream animation and a story of missed opportunities, artistic compromises and shifts in attitudes within Millennial Britain.
PDF.
Van Norris has been Senior Lecturer in Film, Media and Animation Studies at the School of Creative Art Film and Media, University of Portsmouth, UK, since 2003. Alongside his teaching in undergraduate and postgraduate studies in animation, comedy forms and graphic narrative forms, he has presented his research internationally and has published a range of well-regarded articles on animation and comedy, American science-fiction television and mainstream franchise cinema.
ISBN: 1137330945 (electronic bk.) :£60.00Subjects--Topical Terms:
689217
Animated television programs
--History and criticism--Great Britain.
LC Class. No.: PN1992.8.A59 / N68 2014
Dewey Class. No.: 791.453
British television animation 1997-2010drawing comic tradition /
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Introduction 1. From here to there: First, Second and Third Wave Animation 2. A Quotation of Normality - The Family Myth 3. 'C'mon Mum Monday Night is Jihad Night' - Race and Nostalgia 4. 'Unpack That...' - Animating the Male 5. Sacred Territory - Faith, Satire and the Third Wave Conclusion: It'll Never Be as Good Again.
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British Television Animation 1997-2010 charts a moment in TV history where UK comic animation graduated from the margins as part of a post-Simpsons broadcast landscape. Shows like Monkey Dust, Modern Toss and Stressed Eric not only reflected the times but they ushered in an era of ambition and belief in British adult animation.
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British Television Animation 1997-2010 charts a moment in TV history when UK comic animation graduated from the margins as part of a post-Simpsons broadcast landscape. Millennial shows like Monkey Dust, Bob and Margaret, I am Not an Animal, Modern Toss and Stressed Eric, among many others, not only reflected the changing times but they also ushered in an era of ambition and belief in the potential of British adult animation. Van Norris traces the evolution of television animation and discusses a raft of innovative works that not only raised the profile of British animation but, at the same time, made a valuable but under-assessed contribution to the UK TV comedy landscape at the turn of the century. This is the story of a neglected history, the retrieval of a crucial stage in the development of mainstream animation and a story of missed opportunities, artistic compromises and shifts in attitudes within Millennial Britain.
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Van Norris has been Senior Lecturer in Film, Media and Animation Studies at the School of Creative Art Film and Media, University of Portsmouth, UK, since 2003. Alongside his teaching in undergraduate and postgraduate studies in animation, comedy forms and graphic narrative forms, he has presented his research internationally and has published a range of well-regarded articles on animation and comedy, American science-fiction television and mainstream franchise cinema.
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https://link.springer.com/book/10.1057/9781137330949
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Online journal 'available contents' page
based on 0 review(s)
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000000101384
電子館藏
1圖書
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EB PN1992.8.A59 N68 2014
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1 records • Pages 1 •
1
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https://link.springer.com/book/10.1057/9781137330949
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