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Intermedial Shakespeares on European...

Shakespeare, William, (1564-1616.)

Intermedial Shakespeares on European stages

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Intermedial Shakespeares on European stagesAneta Mancewicz.
作者:	Mancewicz, Aneta.
出版者:	Basingstoke :Palgrave Macmillan :2014.
面頁冊數:	224 p. :20 b&w, ill.
附註:	Electronic book text.
附註:	Epublication based on: 9781137360038.
標題:	European dramaHistory and criticism21st century.
電子資源:	Online journal 'available contents' page
ISBN:	1137360046 (electronic bk.) :

Intermedial Shakespeares on European stages
Mancewicz, Aneta.

Intermedial Shakespeares on European stages[electronic resource] /Aneta Mancewicz. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 224 p. :20 b&w, ill. - Palgrave studies in performance and technology.

Electronic book text.

1 Introduction 2 Drama: Intermedial Texture 3 Time and Space: Intermedial Stratigraphy 4 Actors and Audiences: Intermedial Mirror 5 New Media as Old Media 6 Digital Intermediality without Digital Technology 7 Conclusions Appendix: Table of Performances Notes Cited Works Index.

Document

Intermedial Shakespeares argues that intermediality has refashioned performances of Shakespeare's plays over the last two decades in Europe. It describes ways in which text and author, time and space, actor and audience have been redefined in Shakespearean productions that incorporate digital media, and it traces transformations in practice.Intermedial Shakespeares on European Stages argues that digital intermediality over the past decade has refashioned Shakespearean performance in Europe. Defining intermediality as a reflexive interrelationship between live and digital media on stage, the book examines stagings of Shakespeare in Germany, Italy, The Netherlands, Poland, and the UK, situating the productions in their linguistic and cultural contexts. It focuses on the ways in which text and author, time and space, actor and audience have been redefined in performances that incorporate digital media. It also traces transformations in cultural practices related to shifts in staging techniques in intermedial Shakespearean productions. It addresses the implications of digital coding of data, virtual reality, and global communication networks.

PDF.

Aneta Mancewicz is a Lecturer in Drama at the Kingston University, UK. She was a Marie Curie Research Fellow at the Royal Central School of Speech and Drama in 2011-13. She is the Editor for Europe at the Global Shakespeares Video and Performance Archive, Massachusetts Institute of Technology, USA and a Co-Convener of the Intermediality Working Group of the International Federation for Theatre Research.

ISBN: 1137360046 (electronic bk.) :£55.00Subjects--Personal Names:

689172
Shakespeare, William,
1564-1616.--History and criticism--Film adaptations.Subjects--Topical Terms:

690070
European drama
--History and criticism--21st century.

LC Class. No.: PR3091 / .M36 2014

Dewey Class. No.: 792.9

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505 0 $a 1 Introduction 2 Drama: Intermedial Texture 3 Time and Space: Intermedial Stratigraphy 4 Actors and Audiences: Intermedial Mirror 5 New Media as Old Media 6 Digital Intermediality without Digital Technology 7 Conclusions Appendix: Table of Performances Notes Cited Works Index.
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520 $a Intermedial Shakespeares argues that intermediality has refashioned performances of Shakespeare's plays over the last two decades in Europe. It describes ways in which text and author, time and space, actor and audience have been redefined in Shakespearean productions that incorporate digital media, and it traces transformations in practice. $b Intermedial Shakespeares on European Stages argues that digital intermediality over the past decade has refashioned Shakespearean performance in Europe. Defining intermediality as a reflexive interrelationship between live and digital media on stage, the book examines stagings of Shakespeare in Germany, Italy, The Netherlands, Poland, and the UK, situating the productions in their linguistic and cultural contexts. It focuses on the ways in which text and author, time and space, actor and audience have been redefined in performances that incorporate digital media. It also traces transformations in cultural practices related to shifts in staging techniques in intermedial Shakespearean productions. It addresses the implications of digital coding of data, virtual reality, and global communication networks.
520 1 $a In Intermedial Shakespeare on European Stages, Aneta Mancewicz sets contemporary Shakespeare performance at the center of an emerging, intermedial critique of theatrical production. Rather than understanding the stage as a secondary medium for the replication of dramatic writing, Mancewicz sees contemporary Shakespeare to stage an inter-exchange between textual, live-acting, and recorded media of performance. Shakespearean drama, here, is not so much presumed as negotiated by performance, and Mancewicz engages the conceptual work of intermediation through rigorous readings of some of the most demanding of recent Continental stage productions. Tracing the theoretical work of contemporary Shakespeare performance, Intermedial Shakespeare on European Stages opens a valuable perspective on the interplay between Shakespearean drama and our changing modes and means of production. - W. B. Worthen, Barnard College, Columbia University, USA.
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