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The new humor in the progressive eraAmericanization and the vaudeville comedian /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The new humor in the progressive eraRick DesRochers.
其他題名:	Americanization and the vaudeville comedian /
作者:	DesRochers, Rick.
出版者:	Basingstoke :Palgrave Macmillan :2014.
面頁冊數:	212 p. :4 b&w, ill.
附註:	Electronic book text.
附註:	Epublication based on: 9781137357427, 2014.
標題:	ComediansHistory20th centuryUnited States.
電子資源:	Online journal 'available contents' page
ISBN:	1137357185 (electronic bk.) :

The new humor in the progressive eraAmericanization and the vaudeville comedian /
DesRochers, Rick.

The new humor in the progressive eraAmericanization and the vaudeville comedian /[electronic resource] :Rick DesRochers. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 212 p. :4 b&w, ill. - Palgrave studies in theatre and performance history.

Electronic book text.

1. Americanization: Progressive Era Reformers, Cultural Critics, and Popular Comic Entertainments 2. Putting It Over in American Vaudeville 3. The New Humor: Ethnic Acts and Family Acts 4. The Marx Brothers Go To School 5. The New Woman and the Female Comedian as Social Insurgent Epilogue.

Document

By tracing the effects of unprecedented immigration, the advent of the new woman, and the little-known vaudeville careers of performers like the Elinore Sisters, Buster Keaton, and the Marx Brothers, DesRochers examines the relation between comedic vaudeville acts and progressive reformers as they fought over the new definition of Americanness..Between 1881 and 1928, comic vaudevillians used the new humor to push and redefine the boundaries of class, ethnicity, and gender in the defiance of Progressive era efforts at Americanization. Using satire, broad physical behavior, and mocking the propriety of the middle class, the new humor of vaudeville comedy was intentionally disruptive to Anglo-American values. By tracing the effects of unprecedented immigration, the advent of the new woman, and the little-known vaudeville careers of performers like the Elinore Sisters, Buster Keaton, the Marx Brothers, and Marie Dressler, DesRochers examines the relationship between comedic vaudeville acts and progressive reformers as they fought over the new definition of Americanness..

PDF.

Rick DesRochers is Associate Professor of Theatre History and Dramaturgy at Long Island University Post, USA.

ISBN: 1137357185 (electronic bk.) :£55.00Subjects--Topical Terms:

690563
Comedians
--History--United States.--20th century

LC Class. No.: PN1968.U5 / D38 2014

Dewey Class. No.: 792.70973

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505 0 $a 1. Americanization: Progressive Era Reformers, Cultural Critics, and Popular Comic Entertainments 2. Putting It Over in American Vaudeville 3. The New Humor: Ethnic Acts and Family Acts 4. The Marx Brothers Go To School 5. The New Woman and the Female Comedian as Social Insurgent Epilogue.
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520 $a By tracing the effects of unprecedented immigration, the advent of the new woman, and the little-known vaudeville careers of performers like the Elinore Sisters, Buster Keaton, and the Marx Brothers, DesRochers examines the relation between comedic vaudeville acts and progressive reformers as they fought over the new definition of Americanness.. $b Between 1881 and 1928, comic vaudevillians used the new humor to push and redefine the boundaries of class, ethnicity, and gender in the defiance of Progressive era efforts at Americanization. Using satire, broad physical behavior, and mocking the propriety of the middle class, the new humor of vaudeville comedy was intentionally disruptive to Anglo-American values. By tracing the effects of unprecedented immigration, the advent of the new woman, and the little-known vaudeville careers of performers like the Elinore Sisters, Buster Keaton, the Marx Brothers, and Marie Dressler, DesRochers examines the relationship between comedic vaudeville acts and progressive reformers as they fought over the new definition of Americanness..
520 1 $a First and foremost, The New Humor in the Progressive Era is marvelously entertaining and honors the riotous spirit of some of the greatest performers of the early twentieth century. At the same time, Rick DesRochers makes an important contribution to theatre and performance scholarship, American cultural studies, and histories of comedy and clowning. Thoroughly researched and compellingly written, this book is a seriously good read. - James F. Wilson, City University of New York, USA.
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