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No symbols where none intendedlitera...
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Axelrod, Mark.
No symbols where none intendedliterary essays from Laclos to Beckett /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
No symbols where none intendedMark Axelrod.
其他題名:
literary essays from Laclos to Beckett /
作者:
Axelrod, Mark.
出版者:
Basingstoke :Palgrave Pivot :2014.
面頁冊數:
125 p. :1 figures, 2.
附註:
Electronic book text.
附註:
Epublication based on: 9781137456090, 2014.
標題:
LiteraturePhilosophy.
電子資源:
Online journal 'available contents' page
ISBN:
113744732X (electronic bk.) :
No symbols where none intendedliterary essays from Laclos to Beckett /
Axelrod, Mark.
No symbols where none intended
literary essays from Laclos to Beckett /[electronic resource] :Mark Axelrod. - 1st ed. - Basingstoke :Palgrave Pivot :2014. - 125 p. :1 figures, 2.
Electronic book text.
1. Narrateur, Narratrice: Polyphonia in Laclos' Les liaisons dangereuses 2. The Theatre of Fiction in Turgenev's Rudin 3. Architectonics in Ibsen's Hedda Gabler 4. Notions of Melancholia and Misogyny in August Strindberg and The Father 5. Jewish mysticism, the Commodification of Art and the Notion of Aura in Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction 6. The Poetics of Prose Poetry in Elizabeth Smart's By Grand Central Station I Sat Down and Wept 7. The Poetics of Repetition in Beckett's Watt.
Document
An homage to Nabokov's Lectures on Literature, this collection of essays sheds new light on canonical authors such as Ibsen, Beckett, and Strindberg. Using style and structure as the connective thread, Mark Axelrod joins a wide and deep conversation on writers on writing.In Nabokov's Lectures on Literature, he writes: Style and structure are the essence of a book; great ideas are hogwash. The essays in No Symbols Where None Intended: Literary Essays from Laclos to Beckett use Nabokov's stylistic approach to well-known texts (fiction, drama and criticism) as a point of departure. Notions of style and structure link the three prose pieces discussed in the text, (Beckett, Smart, and Turgenev,) to the fiction and drama of Ibsen and Strindberg. Mark Axelrod joins a wide and deep conversation on writers on writing.
PDF.
Mark Axelrod is a Professor of Comparative Literature of English at Chapman University, USA and is the Director of the John Fowles Center for Creative Writing. He has received five National Endowment Arts Grants and is also an accomplished novelist, literary critic, and screenwriter.
ISBN: 113744732X (electronic bk.) :£30.00Subjects--Topical Terms:
177574
Literature
--Philosophy.
LC Class. No.: PN45 / .A89 2014
Dewey Class. No.: 820.9
No symbols where none intendedliterary essays from Laclos to Beckett /
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1. Narrateur, Narratrice: Polyphonia in Laclos' Les liaisons dangereuses 2. The Theatre of Fiction in Turgenev's Rudin 3. Architectonics in Ibsen's Hedda Gabler 4. Notions of Melancholia and Misogyny in August Strindberg and The Father 5. Jewish mysticism, the Commodification of Art and the Notion of Aura in Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction 6. The Poetics of Prose Poetry in Elizabeth Smart's By Grand Central Station I Sat Down and Wept 7. The Poetics of Repetition in Beckett's Watt.
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