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The cinema of James Cameronbodies in...
~
Cameron, James, (1954-)
The cinema of James Cameronbodies in heroic motion /
Record Type:
Electronic resources : Monograph/item
Title/Author:
The cinema of James CameronJames Clarke.
Reminder of title:
bodies in heroic motion /
Author:
Clarke, James,
Published:
New York :Wallflower Press,c2014.
Description:
1 online resource (vii, 176 p.) :ill.
Subject:
Motion picture producers and directorsCanada.
Online resource:
http://www.degruyter.com/isbn/9780231850629
ISBN:
9780231850629 (electronic bk.)
The cinema of James Cameronbodies in heroic motion /
Clarke, James,1972-
The cinema of James Cameron
bodies in heroic motion /[electronic resource] :James Clarke. - New York :Wallflower Press,c2014. - 1 online resource (vii, 176 p.) :ill. - Directors' cuts. - Directors' cuts..
Includes bibliographical references (p. 163-172) and index.
Introduction -- Genesis: From short film visions to low-budget monster movie -- The Terminator (1984) -- Aliens (1986) -- The Abyss (1989) -- Terminator 2: Judgement Day (1991) -- True Lies (1994) -- Titanic (1997) -- Avatar (2009) -- Cameron's Documentaries -- Cameron as writer and producer.
This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works. -- Provided by publisher.
ISBN: 9780231850629 (electronic bk.)
LCCN: 2015410751Subjects--Personal Names:
465832
Cameron, James,
1954-Subjects--Topical Terms:
743960
Motion picture producers and directors
--Canada.
LC Class. No.: PN1998.3.C352 / C57 2014
Dewey Class. No.: 791.4302/33092
The cinema of James Cameronbodies in heroic motion /
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bodies in heroic motion /
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Includes bibliographical references (p. 163-172) and index.
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Introduction -- Genesis: From short film visions to low-budget monster movie -- The Terminator (1984) -- Aliens (1986) -- The Abyss (1989) -- Terminator 2: Judgement Day (1991) -- True Lies (1994) -- Titanic (1997) -- Avatar (2009) -- Cameron's Documentaries -- Cameron as writer and producer.
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This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works. -- Provided by publisher.
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Description based on print version record.
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http://www.degruyter.com/isbn/9780231850629
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000000124885
電子館藏
1圖書
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EB PN1998.3.C352 C593 c2014
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1 records • Pages 1 •
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http://www.degruyter.com/isbn/9780231850629
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