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Psychology and philosophy of abstrac...

Hackett, Paul M.W.

Psychology and philosophy of abstract artneuro-aesthetics, perception and comprehension /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Psychology and philosophy of abstract artby Paul M.W. Hackett.
Reminder of title:	neuro-aesthetics, perception and comprehension /
Author:	Hackett, Paul M.W.
Published:	London :Palgrave Macmillan UK :2016.
Description:	xxiii, 140 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Art, Abstract.
Online resource:	http://dx.doi.org/10.1057/978-1-137-48332-4
ISBN:	9781137483324$q(electronic bk.)

Psychology and philosophy of abstract artneuro-aesthetics, perception and comprehension /
Hackett, Paul M.W.

Psychology and philosophy of abstract artneuro-aesthetics, perception and comprehension /[electronic resource] :by Paul M.W. Hackett. - London :Palgrave Macmillan UK :2016. - xxiii, 140 p. :ill., digital ;24 cm.

Preface -- Chapter 1. Defining Two-Dimensional Abstract Art -- Chapter 2. Theorising Perception -- Chapter 3. Expanding Theoretical Complexity -- Chapter 4. Perceptual Content, Process and Categorial Ontologies -- Chapter 5. Mapping Sentence and Partial Order Mereology for Perceiving Abstract Art.

This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.

ISBN: 9781137483324$q(electronic bk.)

Standard No.: 10.1057/978-1-137-48332-4doiSubjects--Topical Terms:

747124
Art, Abstract.

LC Class. No.: N6494.A2

Dewey Class. No.: 709.04052

Psychology and philosophy of abstract artneuro-aesthetics, perception and comprehension /
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520 $a This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.
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