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Late Godard and the possibilities of...
~
Godard, Jean-Luc, (1930-)
Late Godard and the possibilities of cinema /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Late Godard and the possibilities of cinema /Daniel Morgan
Author:
Morgan, Daniel,
Published:
Berkeley, ca :University of California Press,2012.
Description:
1 online resource (326 pages)
Subject:
Motion picturesAesthetics.
Online resource:
http://portal.igpublish.com/iglibrary/search/UCPB0001009.html
ISBN:
9780520273313$q(hbk.)
Late Godard and the possibilities of cinema /
Morgan, Daniel,1977-
Late Godard and the possibilities of cinema /
Daniel Morgan - Berkeley, ca :University of California Press,2012. - 1 online resource (326 pages)
Includes bibliographical references (pages 265-296) and index
Late Godard and the possibilities of cinema -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction -- Part One -- 1. The Work of Aesthetics -- 2. Nature and Its Discontents -- 3. Politics by Other Means -- Part Two -- 4. Cinema without Photography -- 5. What Projection Does -- 6. Cinema after the End of Cinema (Again) -- Notes -- Index
With 'Late Godard and the Possibilities of Cinema', Daniel Morgan makes a significant contribution to scholarship on Jean- Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films - 'Soigne ta droite' ('Keep Your Right Up', 1987), 'Nouvelle vague' ('New Wave', 1990), and 'Allemagne 90 neuf zero' ('Germany 90 Nine Zero', 1991) - and the monumental late video work, 'Histoire(s) du cinema' (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work.
ISBN: 9780520273313$q(hbk.)Subjects--Personal Names:
653305
Godard, Jean-Luc,
1930---Criticism and interpretation.Subjects--Topical Terms:
176990
Motion pictures
--Aesthetics.
LC Class. No.: PN1998.3.G63 / M58 2013
Dewey Class. No.: 791.4302/33092
Late Godard and the possibilities of cinema /
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Includes bibliographical references (pages 265-296) and index
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Late Godard and the possibilities of cinema -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction -- Part One -- 1. The Work of Aesthetics -- 2. Nature and Its Discontents -- 3. Politics by Other Means -- Part Two -- 4. Cinema without Photography -- 5. What Projection Does -- 6. Cinema after the End of Cinema (Again) -- Notes -- Index
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With 'Late Godard and the Possibilities of Cinema', Daniel Morgan makes a significant contribution to scholarship on Jean- Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films - 'Soigne ta droite' ('Keep Your Right Up', 1987), 'Nouvelle vague' ('New Wave', 1990), and 'Allemagne 90 neuf zero' ('Germany 90 Nine Zero', 1991) - and the monumental late video work, 'Histoire(s) du cinema' (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work.
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Godard, Jean-Luc,
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1930-
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http://portal.igpublish.com/iglibrary/search/UCPB0001009.html
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EB PN1998.3.G63 M58 2012
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