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Ethno identity dance for sex, fun an...

Shay, Anthony.

Ethno identity dance for sex, fun and profitstaging popular dances around the world /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Ethno identity dance for sex, fun and profitby Anthony Shay.
Reminder of title:	staging popular dances around the world /
Author:	Shay, Anthony.
Published:	London :Palgrave Macmillan UK :2016.
Description:	xvii, 270 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
Subject:	DanceAnthropological aspects.
Online resource:	http://dx.doi.org/10.1057/978-1-137-59318-4
ISBN:	9781137593184$q(electronic bk.)

Ethno identity dance for sex, fun and profitstaging popular dances around the world /
Shay, Anthony.

Ethno identity dance for sex, fun and profitstaging popular dances around the world /[electronic resource] :by Anthony Shay. - London :Palgrave Macmillan UK :2016. - xvii, 270 p. :ill., digital ;22 cm.

Introduction. Ethno Identity Dance -- Part I. Dancing for Sex -- Chapter One. I Wish I Could Shimmy Like My Sister Kate -- Chapter Two. Breaking Plates on the Plaka -- Chapter Three. It Takes Two to Tango -- Part II. Dancing for Profit -- Chapter Four. Lovely Hula Hands -- Part III. Dancing for the Nation -- Chapter Five. When Irish Feet are Twinkling -- Chapter Six. Dancing for Ukraine -- Notes.

People all over the world dance traditional and popular dances that have been staged for purposes of representing specific national and ethnic groups. Anthony Shay suggests these staged dance productions be called "ethno identity dances", especially to replace the term "folk dance," which Shay suggests should refer to the traditional dances found in village settings as an organic part of village and tribal life. Shay investigates the many motives that impel people to dance in these staged productions: dancing for sex or dancing sexy dances, dancing for fun and recreation, dancing for profit - such as dancing for tourists - dancing for the nation or to demonstrate ethnic pride. In this study Shay also examines belly dance, Zorba Dancing in Greek nightclubs and restaurants, Tango, Hula, Irish step dancing, and Ukrainian dancing.

ISBN: 9781137593184$q(electronic bk.)

Standard No.: 10.1057/978-1-137-59318-4doiSubjects--Topical Terms:

394194
Dance
--Anthropological aspects.

LC Class. No.: GV1588.6.S43

Dewey Class. No.: 793.31

Ethno identity dance for sex, fun and profitstaging popular dances around the world /
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505 0 $a Introduction. Ethno Identity Dance -- Part I. Dancing for Sex -- Chapter One. I Wish I Could Shimmy Like My Sister Kate -- Chapter Two. Breaking Plates on the Plaka -- Chapter Three. It Takes Two to Tango -- Part II. Dancing for Profit -- Chapter Four. Lovely Hula Hands -- Part III. Dancing for the Nation -- Chapter Five. When Irish Feet are Twinkling -- Chapter Six. Dancing for Ukraine -- Notes.
520 $a People all over the world dance traditional and popular dances that have been staged for purposes of representing specific national and ethnic groups. Anthony Shay suggests these staged dance productions be called "ethno identity dances", especially to replace the term "folk dance," which Shay suggests should refer to the traditional dances found in village settings as an organic part of village and tribal life. Shay investigates the many motives that impel people to dance in these staged productions: dancing for sex or dancing sexy dances, dancing for fun and recreation, dancing for profit - such as dancing for tourists - dancing for the nation or to demonstrate ethnic pride. In this study Shay also examines belly dance, Zorba Dancing in Greek nightclubs and restaurants, Tango, Hula, Irish step dancing, and Ukrainian dancing.
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