國立高雄大學圖資館 |

Language: English

Back

Networked music culturescontemporary...

Nowak, Raphael.

Networked music culturescontemporary approaches,emerging issues /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Networked music culturesedited by Raphael Nowak, Andrew Whelan.
Reminder of title:	contemporary approaches,emerging issues /
other author:	Nowak, Raphael.
Published:	London :Palgrave Macmillan UK :2016.
Description:	xiii, 251 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Music and technology.
Online resource:	http://dx.doi.org/10.1057/978-1-137-58290-4
ISBN:	9781137582904$q(electronic bk.)

Networked music culturescontemporary approaches,emerging issues /
Networked music culturescontemporary approaches,emerging issues /[electronic resource] :edited by Raphael Nowak, Andrew Whelan. - London :Palgrave Macmillan UK :2016. - xiii, 251 p. :ill., digital ;22 cm. - Pop music, culture and identity. - Pop music, culture and identity..

This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of the digital distribution of music as it is manifested in specific cultural contexts. The widespread circulation of music in digital form has far-reaching consequences: not least for how we understand the practices of sourcing and consuming music, the political economy of the music industries, and the relationships between format and aesthetics. Through close empirical engagement with a variety of contexts and analytical frames, the contributors to this collection demonstrate that the changes associated with networked music are always situationally specific, sometimes contentious, and often unexpected in their implications. With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social and cultural research on the relations between music and digital technology.

ISBN: 9781137582904$q(electronic bk.)

Standard No.: 10.1057/978-1-137-58290-4doiSubjects--Topical Terms:

578522
Music and technology.

LC Class. No.: ML3916 / .N48 2016

Dewey Class. No.: 306.4842

Networked music culturescontemporary approaches,emerging issues /
LDR:02386nmm a2200313 a 4500 001 497531
003 DE-He213
005 20160916190356.0
006 m d
007 cr nn 008maaau
008 170420s2016 enk s 0 eng d
020 $a 9781137582904$q(electronic bk.)
020 $a 9781137582898$q(paper)
024 7 $a 10.1057/978-1-137-58290-4 $2 doi
035 $a 978-1-137-58290-4
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3916 $b .N48 2016
072 7 $a AV $2 bicssc
072 7 $a MUS000000 $2 bisacsh
082 0 4 $a 306.4842 $2 23
090 $a ML3916 $b .N476 2016
245 0 0 $a Networked music cultures $h [electronic resource] : $b contemporary approaches,emerging issues / $c edited by Raphael Nowak, Andrew Whelan.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a xiii, 251 p. : $b ill., digital ; $c 22 cm.
490 1 $a Pop music, culture and identity
520 $a This collection presents a range of essays on contemporary music distribution and consumption patterns and practices. The contributors to the collection use a variety of theoretical and methodological approaches, discussing the consequences and effects of the digital distribution of music as it is manifested in specific cultural contexts. The widespread circulation of music in digital form has far-reaching consequences: not least for how we understand the practices of sourcing and consuming music, the political economy of the music industries, and the relationships between format and aesthetics. Through close empirical engagement with a variety of contexts and analytical frames, the contributors to this collection demonstrate that the changes associated with networked music are always situationally specific, sometimes contentious, and often unexpected in their implications. With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social and cultural research on the relations between music and digital technology.
650 0 $a Music and technology. $3 578522
650 0 $a Music trade. $3 283215
650 0 $a Music $x Social aspects. $3 187643
650 1 4 $a Cultural and Media Studies. $3 732821
650 2 4 $a Music. $3 227185
650 2 4 $a Social Media. $3 742054
650 2 4 $a Media and Communication. $3 742407
650 2 4 $a Media Management. $3 305903
650 2 4 $a Sociology of Culture. $3 731548
700 1 $a Nowak, Raphael. $3 740013
700 1 $a Whelan, Andrew. $3 760223
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
830 0 $a Pop music, culture and identity. $3 740014
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-58290-4
950 $a Literature, Cultural and Media Studies (Springer-41173)