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All about musicthe complete ontology...

Mazzola, Guerino.

All about musicthe complete ontology: realities, semiotics, communication, and embodiment /

Record Type:	Electronic resources : Monograph/item
Title/Author:	All about musicby Guerino Mazzola ... [et al.].
Reminder of title:	the complete ontology: realities, semiotics, communication, and embodiment /
other author:	Mazzola, Guerino.
Published:	Cham :Springer International Publishing :2016.
Description:	xiii, 191 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Application software.
Online resource:	http://dx.doi.org/10.1007/978-3-319-47334-5
ISBN:	9783319473345$q(electronic bk.)

All about musicthe complete ontology: realities, semiotics, communication, and embodiment /
All about musicthe complete ontology: realities, semiotics, communication, and embodiment /[electronic resource] :by Guerino Mazzola ... [et al.]. - Cham :Springer International Publishing :2016. - xiii, 191 p. :ill., digital ;24 cm. - Computational music science,1868-0305. - Computational music science..

Introduction -- Physical Reality -- Psychological Reality -- Mental Reality -- Generalities about Signs, Neumes, Periods and Development Sentences -- De Saussure and Peirce, the Semiotic Architecture, Digital vs. Analog Music Encoding -- Riemannian Harmony and The HarmonRubette Software -- De Saussure's Six Dichotomies -- The Babushka Principle in Semiotics: Connotation, Motivation, Metatheory -- The Musical Case of Iterated Imbrication of Semiotic Components -- What Is Art? -- MIDI Code -- Global Music -- Gesture Theory in Music -- Frege's Prison of Functions -- Music Without Scores. Neuroscience and Gestures -- Mathematical Gesture Theory -- Creativity Theory.

This book explains music's comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience. The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike.

ISBN: 9783319473345$q(electronic bk.)

Standard No.: 10.1007/978-3-319-47334-5doiSubjects--Topical Terms:

200645
Application software.

LC Class. No.: NX260

Dewey Class. No.: 004

All about musicthe complete ontology: realities, semiotics, communication, and embodiment /
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245 0 0 $a All about music $h [electronic resource] : $b the complete ontology: realities, semiotics, communication, and embodiment / $c by Guerino Mazzola ... [et al.].
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505 0 $a Introduction -- Physical Reality -- Psychological Reality -- Mental Reality -- Generalities about Signs, Neumes, Periods and Development Sentences -- De Saussure and Peirce, the Semiotic Architecture, Digital vs. Analog Music Encoding -- Riemannian Harmony and The HarmonRubette Software -- De Saussure's Six Dichotomies -- The Babushka Principle in Semiotics: Connotation, Motivation, Metatheory -- The Musical Case of Iterated Imbrication of Semiotic Components -- What Is Art? -- MIDI Code -- Global Music -- Gesture Theory in Music -- Frege's Prison of Functions -- Music Without Scores. Neuroscience and Gestures -- Mathematical Gesture Theory -- Creativity Theory.
520 $a This book explains music's comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience. The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike.
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