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Zainichi cinemaKoreans-in-Japan film...

Dew, Oliver.

Zainichi cinemaKoreans-in-Japan film culture /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Zainichi cinemaby Oliver Dew.
Reminder of title:	Koreans-in-Japan film culture /
Author:	Dew, Oliver.
Published:	Cham :Springer International Publishing :2016.
Description:	xiv, 235 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	KoreansHistory.Japan
Online resource:	http://dx.doi.org/10.1007/978-3-319-40877-4
ISBN:	9783319408774$q(electronic bk.)

Zainichi cinemaKoreans-in-Japan film culture /
Dew, Oliver.

Zainichi cinemaKoreans-in-Japan film culture /[electronic resource] :by Oliver Dew. - Cham :Springer International Publishing :2016. - xiv, 235 p. :ill., digital ;24 cm.

Introduction: Koreans-in-Japan, on-screen -- 1. 1968/2004: Bridging Imjin River -- 2. Screening the Zainichi subject -- 3. Excavating the Zainichi yakuza film -- 4. 'Pacchigi Power!': the 'coming out' melodrama -- 5. Arirang kamikaze: screening the memory wars -- 6. Intimate ethnographies: three family portraits -- Conclusion.

This book examines how filmmakers, curators, and critics created a category of transnational, Korean-in-Japan (Zainichi) Cinema, focussing on the period from the 1960s onwards. An enormously diverse swathe of films have been claimed for this cinema of the Korean diaspora, ranging across major studio yakuza films and melodramas, news reels created by ethnic associations, first-person video essays, and unlikely hits that crossed over from the indie distribution circuit to have a wide impact across the media landscape. Today, Zainichi-themed works have never had a higher profile, with new works by Matsue Tetsuaki, Sai Yoichi, and Yang Yonghi frequently shown at international festivals. Zainichi Cinema argues that central to this transnational cinema is the tension between films with an authorized claim to "represent", and ambiguous and borderline works that require an active spectator to claim them as images of the Korean diaspora.

ISBN: 9783319408774$q(electronic bk.)

Standard No.: 10.1007/978-3-319-40877-4doiSubjects--Topical Terms:

763148
Koreans
--History.--Japan

LC Class. No.: PN1993.5.J3 / D49 2016

Dewey Class. No.: 791.430952

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300 $a xiv, 235 p. : $b ill., digital ; $c 24 cm.
505 0 $a Introduction: Koreans-in-Japan, on-screen -- 1. 1968/2004: Bridging Imjin River -- 2. Screening the Zainichi subject -- 3. Excavating the Zainichi yakuza film -- 4. 'Pacchigi Power!': the 'coming out' melodrama -- 5. Arirang kamikaze: screening the memory wars -- 6. Intimate ethnographies: three family portraits -- Conclusion.
520 $a This book examines how filmmakers, curators, and critics created a category of transnational, Korean-in-Japan (Zainichi) Cinema, focussing on the period from the 1960s onwards. An enormously diverse swathe of films have been claimed for this cinema of the Korean diaspora, ranging across major studio yakuza films and melodramas, news reels created by ethnic associations, first-person video essays, and unlikely hits that crossed over from the indie distribution circuit to have a wide impact across the media landscape. Today, Zainichi-themed works have never had a higher profile, with new works by Matsue Tetsuaki, Sai Yoichi, and Yang Yonghi frequently shown at international festivals. Zainichi Cinema argues that central to this transnational cinema is the tension between films with an authorized claim to "represent", and ambiguous and borderline works that require an active spectator to claim them as images of the Korean diaspora.
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