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Bernard Shaw's bridges to Chinese culture

Record Type:	Electronic resources : Monograph/item
Title/Author:	Bernard Shaw's bridges to Chinese cultureby Kay Li.
Author:	Li, Kay.
Published:	Cham :Springer International Publishing :2016.
Description:	xvii, 215 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	TheaterHistory20th century.China
Subject:	China
Online resource:	http://dx.doi.org/10.1007/978-3-319-41003-6
ISBN:	9783319410036$q(electronic bk.)

Bernard Shaw's bridges to Chinese culture
Li, Kay.

Bernard Shaw's bridges to Chinese culture[electronic resource] /by Kay Li. - Cham :Springer International Publishing :2016. - xvii, 215 p. :ill., digital ;24 cm. - Bernard shaw and his contemporaries. - Bernard shaw and his contemporaries..

Introduction. The Chinese Angles -- Chapter. 1 Introduction -- Part I. Shaw and his Contemporaries -- Chapter 2. Seeing China -- Chapter 3. Shaw and the Last Chinese Emperor, Henry Pu-Yi Aisin-Gioro -- Chapter 4. Mrs. Warren's Profession and Transnational Chinese Feminism -- Chapter 5. Sir Robert Ho Tung and Idlewild in Buoyant Billions -- Part II. The Contemporaries of Shaw's Works -- Chapter 6. John Woo's My Fair Gentleman and the Evolution of Pygmalion in Contemporary China -- Chapter 7. Chinese Film Adaptations of Shaw's Plays -- Chapter 8. Nobel Laureates Shaw and Gao Xingjian -- Chapter 9. Major Barbara on Chinese Wikipedia and Microblogs -- Chapter 10. Bernard Shaw's Bridges to Chinese Culture -- Bibliography.

'Kay Li's study of Bernard Shaw's relationship with a number of leading Chinese figures and the assimilation of his plays into Chinese culture is a significant addition to her important previous work on Shaw and China. This new book expertly situates Shaw in wide-ranging spheres of Chinese culture, while also demonstrating the complexities of cross-cultural literary relations. It is a major contribution not just to Shaw studies but to interdisciplinary approaches to cultural dialogue.' - L.W. Conolly, Fellow of the Royal Society of Canada, Emeritus Professor of English, Trent University, Ontario, Canada and Honorary Fellow, Robinson College, University of Cambridge, UK This book explores the cultural bridges connecting George Bernard Shaw and his contemporaries, such as Charles Dickens and Arthur Miller, to China. Analyzing readings, adaptations, and connections of Shaw in China through the lens of Chinese culture, Li details the negotiations between the focused and culturally specific standpoints of eastern and western culture while also investigating the simultaneously diffused, multi-focal, and comprehensive perspectives that create strategic moments that favor cross-cultural readings. With sources ranging from Shaw's connections with his contemporaries in China to contemporary Chinese films and interpretations of Shaw in the digital space, Li relates the global impact of not only what Chinese lenses can reveal about Shaw's world, but how intercultural and interdisciplinary readings can shed new light on familiar and obscure works alike.

ISBN: 9783319410036$q(electronic bk.)

Standard No.: 10.1007/978-3-319-41003-6doiSubjects--Personal Names:

443317
Shaw, Bernard,
1856-1950--Criticism and interpretation.Subjects--Topical Terms:

566265
Theater
--History--China--20th century.Subjects--Geographical Terms:

236825
China

LC Class. No.: PR5368.C47 / L55 2016

Dewey Class. No.: 822.912

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520 $a 'Kay Li's study of Bernard Shaw's relationship with a number of leading Chinese figures and the assimilation of his plays into Chinese culture is a significant addition to her important previous work on Shaw and China. This new book expertly situates Shaw in wide-ranging spheres of Chinese culture, while also demonstrating the complexities of cross-cultural literary relations. It is a major contribution not just to Shaw studies but to interdisciplinary approaches to cultural dialogue.' - L.W. Conolly, Fellow of the Royal Society of Canada, Emeritus Professor of English, Trent University, Ontario, Canada and Honorary Fellow, Robinson College, University of Cambridge, UK This book explores the cultural bridges connecting George Bernard Shaw and his contemporaries, such as Charles Dickens and Arthur Miller, to China. Analyzing readings, adaptations, and connections of Shaw in China through the lens of Chinese culture, Li details the negotiations between the focused and culturally specific standpoints of eastern and western culture while also investigating the simultaneously diffused, multi-focal, and comprehensive perspectives that create strategic moments that favor cross-cultural readings. With sources ranging from Shaw's connections with his contemporaries in China to contemporary Chinese films and interpretations of Shaw in the digital space, Li relates the global impact of not only what Chinese lenses can reveal about Shaw's world, but how intercultural and interdisciplinary readings can shed new light on familiar and obscure works alike.
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