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Cultures of Comics Work

Brienza, Casey.

Cultures of Comics Work

Record Type:	Electronic resources : Monograph/item
Title/Author:	Cultures of Comics Workedited by Casey Brienza, Paddy Johnston.
other author:	Brienza, Casey.
Published:	New York :Palgrave Macmillan US :2016.
Description:	xviii, 308 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Comic books, strips, etc.Publishing.
Online resource:	http://dx.doi.org/10.1057/978-1-137-55090-3
ISBN:	9781137550903$q(electronic bk.)

Cultures of Comics Work
Cultures of Comics Work[electronic resource] /edited by Casey Brienza, Paddy Johnston. - New York :Palgrave Macmillan US :2016. - xviii, 308 p. :ill., digital ;24 cm. - Palgrave studies in comics and graphic novels. - Palgrave studies in comics and graphic novels..

.Introduction; Casey Brienza and Paddy Johnston -- Part I: Locating Labor -- 1 Between Art and the Underground in India; Jeremy Stoll -- 2 For the Love of the Craft: Industry, Identity, and Australian Comics; Amy Louise Maynard -- 3 Imagining US-Mexican Cooperation in the World War II Propaganda Comic Book Nuestro Futuro; Elena D. Hristova -- 4 From Turtles to Topatoco: A Brief History of Comics Production in the Pioneer Valley; Ryan Cadrette -- 5 Recognizing Comics as Brazilian National Popular Culture: CEPTA and the Debates over Professional Identities in Comics; Ivan Lima Gomes -- 6 Gatekeeping by Belgian Comics Publishing Houses Dupuis and Lombard in the mid-1980s; Pascal Lefevre -- Part II: Illustrating Workers -- 7 An Anatomy of Collaboration in Comics: Romantic Genius vs. The Team; Brenna Clarke Gray and Peter Wilkins -- 8 Creating Comics as Artisans: The Comics Creators of Columbia, 1998-2014; Fernando Suarez and Enrique Uribe-Jongbloed -- 9 Under the Radar: John Porcellino's King-Cat Comics and Self-Publishing as Cultural Work; Paddy Johnston -- 10 Bearing Witness and Telling It How It Is: The Collaborative Creation of Dans les griffes de la vipere; Annick Pelligrin -- 11 Negotiating Artistic Identity in Comics Collaboration; Ahmed Jameel -- 12 Comic Book Rock Stars? Making Sense of Work in Comics; Benjamin Woo -- Part III: Pushing the Boundaries -- 13 Subcultural Clusters and Blurry Boundaries: Localized Manga Production in Hungary; Zoltan Kacsuk -- 14 The Tail That Wags the Dog: The Impact of Distribution on the Development and Direction of the American Comics Industry; David K. Palmer -- 15 Drawing Fatherhood: The Working Father Figure in the Autobiographical Novels of Guy Delisle; Roei Davidson -- 16 Towards Maturity: Analyzing the Tetrahedral System of the Comics Industry in Spain; Jose Andres Santiago Iglesias -- 17 Crowdfunding and Comics in Brazil; Andre Pereira de Carvalho -- 18 A Fumetto, a Comic, and a BD Walk into a Bar: Translation of Humor in Comics; Alex Valente.

This anthology explores tensions between the individualistic artistic ideals and the collective industrial realities of contemporary cultural production with eighteen all-new chapters presenting pioneering empirical research on the complexities and controversies of comics work. Art Spiegelman. Alan Moore. Osamu Tezuka. Neil Gaiman. Names such as these have become synonymous with the medium of comics. Meanwhile, the large numbers of people without whose collective action no comic book would ever exist in the first place are routinely overlooked. Cultures of Comics Work unveils this hidden, global industrial labor of writers, illustrators, graphic designers, letterers, editors, printers, typesetters, publicists, publishers, distributors, translators, retailers, and countless others both directly and indirectly involved in the creative production of what is commonly thought of as the comic book. Drawing upon diverse theoretical and methodological perspectives, an international and interdisciplinary cohort of cutting-edge researchers and practitioners intervenes in debates about cultural work and paves innovative directions for comics scholarship.

ISBN: 9781137550903$q(electronic bk.)

Standard No.: 10.1057/978-1-137-55090-3doiSubjects--Topical Terms:

764356
Comic books, strips, etc.
--Publishing.

LC Class. No.: Z286.C64 / C85 2016

Dewey Class. No.: 070.573

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505 0 $a .Introduction; Casey Brienza and Paddy Johnston -- Part I: Locating Labor -- 1 Between Art and the Underground in India; Jeremy Stoll -- 2 For the Love of the Craft: Industry, Identity, and Australian Comics; Amy Louise Maynard -- 3 Imagining US-Mexican Cooperation in the World War II Propaganda Comic Book Nuestro Futuro; Elena D. Hristova -- 4 From Turtles to Topatoco: A Brief History of Comics Production in the Pioneer Valley; Ryan Cadrette -- 5 Recognizing Comics as Brazilian National Popular Culture: CEPTA and the Debates over Professional Identities in Comics; Ivan Lima Gomes -- 6 Gatekeeping by Belgian Comics Publishing Houses Dupuis and Lombard in the mid-1980s; Pascal Lefevre -- Part II: Illustrating Workers -- 7 An Anatomy of Collaboration in Comics: Romantic Genius vs. The Team; Brenna Clarke Gray and Peter Wilkins -- 8 Creating Comics as Artisans: The Comics Creators of Columbia, 1998-2014; Fernando Suarez and Enrique Uribe-Jongbloed -- 9 Under the Radar: John Porcellino's King-Cat Comics and Self-Publishing as Cultural Work; Paddy Johnston -- 10 Bearing Witness and Telling It How It Is: The Collaborative Creation of Dans les griffes de la vipere; Annick Pelligrin -- 11 Negotiating Artistic Identity in Comics Collaboration; Ahmed Jameel -- 12 Comic Book Rock Stars? Making Sense of Work in Comics; Benjamin Woo -- Part III: Pushing the Boundaries -- 13 Subcultural Clusters and Blurry Boundaries: Localized Manga Production in Hungary; Zoltan Kacsuk -- 14 The Tail That Wags the Dog: The Impact of Distribution on the Development and Direction of the American Comics Industry; David K. Palmer -- 15 Drawing Fatherhood: The Working Father Figure in the Autobiographical Novels of Guy Delisle; Roei Davidson -- 16 Towards Maturity: Analyzing the Tetrahedral System of the Comics Industry in Spain; Jose Andres Santiago Iglesias -- 17 Crowdfunding and Comics in Brazil; Andre Pereira de Carvalho -- 18 A Fumetto, a Comic, and a BD Walk into a Bar: Translation of Humor in Comics; Alex Valente.
520 $a This anthology explores tensions between the individualistic artistic ideals and the collective industrial realities of contemporary cultural production with eighteen all-new chapters presenting pioneering empirical research on the complexities and controversies of comics work. Art Spiegelman. Alan Moore. Osamu Tezuka. Neil Gaiman. Names such as these have become synonymous with the medium of comics. Meanwhile, the large numbers of people without whose collective action no comic book would ever exist in the first place are routinely overlooked. Cultures of Comics Work unveils this hidden, global industrial labor of writers, illustrators, graphic designers, letterers, editors, printers, typesetters, publicists, publishers, distributors, translators, retailers, and countless others both directly and indirectly involved in the creative production of what is commonly thought of as the comic book. Drawing upon diverse theoretical and methodological perspectives, an international and interdisciplinary cohort of cutting-edge researchers and practitioners intervenes in debates about cultural work and paves innovative directions for comics scholarship.
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