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Terror in global narrativerepresenta...

Fragopoulos, George.

Terror in global narrativerepresentations of 9/11 in the age of late-late capitalism /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Terror in global narrativeedited by George Fragopoulos, Liliana M. Naydan.
Reminder of title:	representations of 9/11 in the age of late-late capitalism /
other author:	Fragopoulos, George.
Published:	Cham :Springer International Publishing :2016.
Description:	xv, 258 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	CultureStudy and teaching.
Online resource:	http://dx.doi.org/10.1007/978-3-319-40654-1
ISBN:	9783319406541$q(electronic bk.)

Terror in global narrativerepresentations of 9/11 in the age of late-late capitalism /
Terror in global narrativerepresentations of 9/11 in the age of late-late capitalism /[electronic resource] :edited by George Fragopoulos, Liliana M. Naydan. - Cham :Springer International Publishing :2016. - xv, 258 p. :ill., digital ;24 cm.

This is a collection of interdisciplinary essays that examines the historical, political, and social significance of 9/11. This collection considers 9/11 as an event situated within the much larger historical context of late late-capitalism, a paradoxical time in which American and capitalist hegemony exist as pervasive and yet under precarious circumstances. Contributors to this collection examine the ways in which 9/11 both changed everything and, at the same time, nothing at all. They likewise examine the implications of 9/11 through a variety of different media and art forms including literature, film, television, and street art.

ISBN: 9783319406541$q(electronic bk.)

Standard No.: 10.1007/978-3-319-40654-1doiSubjects--Topical Terms:

176653
Culture
--Study and teaching.

LC Class. No.: P96.T472

Dewey Class. No.: 303.625

Terror in global narrativerepresentations of 9/11 in the age of late-late capitalism /
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520 $a This is a collection of interdisciplinary essays that examines the historical, political, and social significance of 9/11. This collection considers 9/11 as an event situated within the much larger historical context of late late-capitalism, a paradoxical time in which American and capitalist hegemony exist as pervasive and yet under precarious circumstances. Contributors to this collection examine the ways in which 9/11 both changed everything and, at the same time, nothing at all. They likewise examine the implications of 9/11 through a variety of different media and art forms including literature, film, television, and street art.
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