國立高雄大學圖資館 |

Language: English

Back

The value of popular musican approac...

SpringerLink (Online service)

The value of popular musican approach from post-Kantian aesthetics /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The value of popular musicby Alison Stone.
Reminder of title:	an approach from post-Kantian aesthetics /
Author:	Stone, Alison.
Published:	Cham :Springer International Publishing :2016.
Description:	xxxvi, 294 p. :music, digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Popular musicPhilosophy and aesthetics.
Online resource:	http://dx.doi.org/10.1007/978-3-319-46544-9
ISBN:	9783319465449$q(electronic bk.)

The value of popular musican approach from post-Kantian aesthetics /
Stone, Alison.

The value of popular musican approach from post-Kantian aesthetics /[electronic resource] :by Alison Stone. - Cham :Springer International Publishing :2016. - xxxvi, 294 p. :music, digital ;22 cm.

Introduction: In Defence of Popular Music -- 1. Evaluation, Aesthetics, and the Unity of Popular Music -- 2. Tracking Popular Music History with an Aesthetic Map -- 3. Adorno and Popular Music -- 4. Matter and Form in Popular Music -- 5. Rhythm, Energy, and the Body -- 6. Meaning and Affect in Popular Music -- 7. Meaning in Sounds and Words -- Conclusion: Popular Music, Aesthetic Value, and Materiality -- Discography.

In this book, Alison Stone argues that popular music since rock-'n'-roll is a unified form of music which has positive value. That value is that popular music affirms the importance of materiality and the body, challenging the long-standing Western elevation of the intellect above all things corporeal. Stone also argues that popular music's stress on materiality gives it aesthetic value, drawing on ideas from the post-Kantian tradition in aesthetics by Hegel, Adorno, and others. She shows that popular music gives importance to materiality in its typical structure: in how music of this type handles the relations between matter and form, the relations between sounds and words, and in how it deals with rhythm, meaning, and emotional expression. Extensive use is made of musical examples from a wide range of popular music genres. This book is distinctive in that it defends popular music on philosophical grounds, particularly informed by the continental tradition in philosophy.

ISBN: 9783319465449$q(electronic bk.)

Standard No.: 10.1007/978-3-319-46544-9doiSubjects--Topical Terms:

764606
Popular music
--Philosophy and aesthetics.

LC Class. No.: ML3470 / .S765 2016

Dewey Class. No.: 781.64

The value of popular musican approach from post-Kantian aesthetics /
LDR:02366nmm a2200313 a 4500 001 501215
003 DE-He213
005 20161217112221.0
006 m d
007 cr nn 008maaau
008 170718s2016 gw s 0 eng d
020 $a 9783319465449$q(electronic bk.)
020 $a 9783319465432$q(paper)
024 7 $a 10.1007/978-3-319-46544-9 $2 doi
035 $a 978-3-319-46544-9
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3470 $b .S765 2016
072 7 $a HPN $2 bicssc
072 7 $a PHI001000 $2 bisacsh
082 0 4 $a 781.64 $2 23
090 $a ML3470 $b .S877 2016
100 1 $a Stone, Alison. $3 526095
245 1 4 $a The value of popular music $h [electronic resource] : $b an approach from post-Kantian aesthetics / $c by Alison Stone.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a xxxvi, 294 p. : $b music, digital ; $c 22 cm.
505 0 $a Introduction: In Defence of Popular Music -- 1. Evaluation, Aesthetics, and the Unity of Popular Music -- 2. Tracking Popular Music History with an Aesthetic Map -- 3. Adorno and Popular Music -- 4. Matter and Form in Popular Music -- 5. Rhythm, Energy, and the Body -- 6. Meaning and Affect in Popular Music -- 7. Meaning in Sounds and Words -- Conclusion: Popular Music, Aesthetic Value, and Materiality -- Discography.
520 $a In this book, Alison Stone argues that popular music since rock-'n'-roll is a unified form of music which has positive value. That value is that popular music affirms the importance of materiality and the body, challenging the long-standing Western elevation of the intellect above all things corporeal. Stone also argues that popular music's stress on materiality gives it aesthetic value, drawing on ideas from the post-Kantian tradition in aesthetics by Hegel, Adorno, and others. She shows that popular music gives importance to materiality in its typical structure: in how music of this type handles the relations between matter and form, the relations between sounds and words, and in how it deals with rhythm, meaning, and emotional expression. Extensive use is made of musical examples from a wide range of popular music genres. This book is distinctive in that it defends popular music on philosophical grounds, particularly informed by the continental tradition in philosophy.
650 0 $a Popular music $x Philosophy and aesthetics. $3 764606
650 1 4 $a Philosophy. $3 176573
650 2 4 $a Aesthetics. $3 178371
650 2 4 $a Music. $3 227185
650 2 4 $a Critical Theory. $3 750671
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-46544-9
950 $a Religion and Philosophy (Springer-41175)