國立高雄大學圖資館 |

Language: English

Back

The perceptual structure of three-di...

Hackett, Paul M.W.

The perceptual structure of three-dimensional art

Record Type:	Electronic resources : Monograph/item
Title/Author:	The perceptual structure of three-dimensional artby Paul M.W. Hackett.
Author:	Hackett, Paul M.W.
Published:	Cham :Springer International Publishing :2017.
Description:	xxiii, 95 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Sculpture, AbstractPhilosophy.
Online resource:	http://dx.doi.org/10.1007/978-3-319-48452-5
ISBN:	9783319484525$q(electronic bk.)

The perceptual structure of three-dimensional art
Hackett, Paul M.W.

The perceptual structure of three-dimensional art[electronic resource] /by Paul M.W. Hackett. - Cham :Springer International Publishing :2017. - xxiii, 95 p. :ill., digital ;24 cm. - SpringerBriefs in philosophy,2211-4548. - SpringerBriefs in philosophy..

Chapter 1: Introduction: Theories of Perceiving Art -- Chapter 2: Facet Theory and the Mapping Sentence -- Chapter 3: A Mereological Model for Perceiving and Understanding Art -- Chapter 4: Conclusions: Future Research.

This book deals with philosophical aspects regarding the perception of spatial relationships in two and three-dimensional art. It provides a structural understanding of how art is perceived within the space created by the artwork, and employs a mapping sentence and partial order mereology to model perceptual structure. It reviews the writing of philosophers such as Paul Crowther and art theorists such as Krauss to establish the need for this research. The ontological model established Paul Crowther is used to guide an interactive account of his ontology in the interpretations of the perceptual process of three-dimensional abstract art to allow the formulation of a more comprehensive philosophical account. The book uniquely combines structuralist and post-structuralist approaches to artistic perception and understanding with a conceptual structure from facet theory, which is clarified with the help of a mapping sentence and partial order mereology.

ISBN: 9783319484525$q(electronic bk.)

Standard No.: 10.1007/978-3-319-48452-5doiSubjects--Topical Terms:

772631
Sculpture, Abstract
--Philosophy.

LC Class. No.: NB1135 / .H33 2017

Dewey Class. No.: 730.1

The perceptual structure of three-dimensional art
LDR:02176nmm a2200325 a 4500 001 506550
003 DE-He213
005 20170724112556.0
006 m d
007 cr nn 008maaau
008 171030s2017 gw s 0 eng d
020 $a 9783319484525$q(electronic bk.)
020 $a 9783319484501$q(paper)
024 7 $a 10.1007/978-3-319-48452-5 $2 doi
035 $a 978-3-319-48452-5
040 $a GP $c GP
041 0 $a eng
050 4 $a NB1135 $b .H33 2017
072 7 $a HPN $2 bicssc
072 7 $a PHI001000 $2 bisacsh
082 0 4 $a 730.1 $2 23
090 $a NB1135 $b .H121 2017
100 1 $a Hackett, Paul M.W. $3 747123
245 1 4 $a The perceptual structure of three-dimensional art $h [electronic resource] / $c by Paul M.W. Hackett.
260 $a Cham : $b Springer International Publishing : $b Imprint: Springer, $c 2017.
300 $a xxiii, 95 p. : $b ill., digital ; $c 24 cm.
490 1 $a SpringerBriefs in philosophy, $x 2211-4548
505 0 $a Chapter 1: Introduction: Theories of Perceiving Art -- Chapter 2: Facet Theory and the Mapping Sentence -- Chapter 3: A Mereological Model for Perceiving and Understanding Art -- Chapter 4: Conclusions: Future Research.
520 $a This book deals with philosophical aspects regarding the perception of spatial relationships in two and three-dimensional art. It provides a structural understanding of how art is perceived within the space created by the artwork, and employs a mapping sentence and partial order mereology to model perceptual structure. It reviews the writing of philosophers such as Paul Crowther and art theorists such as Krauss to establish the need for this research. The ontological model established Paul Crowther is used to guide an interactive account of his ontology in the interpretations of the perceptual process of three-dimensional abstract art to allow the formulation of a more comprehensive philosophical account. The book uniquely combines structuralist and post-structuralist approaches to artistic perception and understanding with a conceptual structure from facet theory, which is clarified with the help of a mapping sentence and partial order mereology.
650 0 $a Sculpture, Abstract $x Philosophy. $3 772631
650 0 $a Sculpture, Abstract $x Psychological aspects. $3 772632
650 0 $a Visual perception. $3 205511
650 1 4 $a Philosophy. $3 176573
650 2 4 $a Aesthetics. $3 178371
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
830 0 $a SpringerBriefs in philosophy. $3 560618
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-48452-5
950 $a Religion and Philosophy (Springer-41175)