Language:
English
繁體中文
Help
圖資館首頁
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
The culture industry and participato...
~
Emma, Keltie.
The culture industry and participatory audiences
Record Type:
Electronic resources : Monograph/item
Title/Author:
The culture industry and participatory audiencesby Emma Keltie.
Author:
Emma, Keltie.
Published:
Cham :Springer International Publishing :2017.
Description:
ix, 152 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
Mass media and culture.
Online resource:
http://dx.doi.org/10.1007/978-3-319-49028-1
ISBN:
9783319490281$q(electronic bk.)
The culture industry and participatory audiences
Emma, Keltie.
The culture industry and participatory audiences
[electronic resource] /by Emma Keltie. - Cham :Springer International Publishing :2017. - ix, 152 p. :ill., digital ;24 cm.
1. Introduction -- 2. The Culture Industry and Audience Agency -- 3. Agency in Practice: A Participatory Utopia -- 4. Fans: A Long History of Participation -- 5. Producing Culture: Australian Media and Creative Policy -- 6. Participation in Practice -- 7. Authorised Participation.
This work offers a discussion of participatory culture as a disruption to the previously held dominance of the culture industry, while also exploring the tensions created in this emerging media landscape through analysis and examination of the current Australian media policy, regulation, and content distribution landscape. The text argues that the culture industry colonises participatory cultural practices and absorbs them into the practices of the industry, to reveal that what emerges from this colonisation is an audience that misrecognises their agency as participants in the production of culture. The discourse surrounding participatory culture positions the audience as active in cultural production and falsely emancipates them as consumers, with little acknowledgement of the exploitation of labour that is occurring. Keltie exposes how, as the culture industry folds participatory practices back into its own industry practices, audience participation, in effect, becomes authorised by the culture industry.
ISBN: 9783319490281$q(electronic bk.)
Standard No.: 10.1007/978-3-319-49028-1doiSubjects--Topical Terms:
178505
Mass media and culture.
LC Class. No.: P94.6 / .E46 2017
Dewey Class. No.: 302.23
The culture industry and participatory audiences
LDR
:02272nmm a2200325 a 4500
001
506898
003
DE-He213
005
20170814101627.0
006
m d
007
cr nn 008maaau
008
171030s2017 gw s 0 eng d
020
$a
9783319490281$q(electronic bk.)
020
$a
9783319490274$q(paper)
024
7
$a
10.1007/978-3-319-49028-1
$2
doi
035
$a
978-3-319-49028-1
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
P94.6
$b
.E46 2017
072
7
$a
JP
$2
bicssc
072
7
$a
JFC
$2
bicssc
072
7
$a
POL038000
$2
bisacsh
082
0 4
$a
302.23
$2
23
090
$a
P94.6
$b
.E54 2017
100
1
$a
Emma, Keltie.
$3
773207
245
1 4
$a
The culture industry and participatory audiences
$h
[electronic resource] /
$c
by Emma Keltie.
260
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2017.
300
$a
ix, 152 p. :
$b
ill., digital ;
$c
24 cm.
505
0
$a
1. Introduction -- 2. The Culture Industry and Audience Agency -- 3. Agency in Practice: A Participatory Utopia -- 4. Fans: A Long History of Participation -- 5. Producing Culture: Australian Media and Creative Policy -- 6. Participation in Practice -- 7. Authorised Participation.
520
$a
This work offers a discussion of participatory culture as a disruption to the previously held dominance of the culture industry, while also exploring the tensions created in this emerging media landscape through analysis and examination of the current Australian media policy, regulation, and content distribution landscape. The text argues that the culture industry colonises participatory cultural practices and absorbs them into the practices of the industry, to reveal that what emerges from this colonisation is an audience that misrecognises their agency as participants in the production of culture. The discourse surrounding participatory culture positions the audience as active in cultural production and falsely emancipates them as consumers, with little acknowledgement of the exploitation of labour that is occurring. Keltie exposes how, as the culture industry folds participatory practices back into its own industry practices, audience participation, in effect, becomes authorised by the culture industry.
650
0
$a
Mass media and culture.
$3
178505
650
1 4
$a
Cultural and Media Studies.
$3
732821
650
2 4
$a
Cultural Policy and Politics.
$3
760266
650
2 4
$a
Media Policy.
$3
773208
650
2 4
$a
Australasian Culture.
$3
773209
650
2 4
$a
Media and Communication.
$3
742407
710
2
$a
SpringerLink (Online service)
$3
273601
773
0
$t
Springer eBooks
856
4 0
$u
http://dx.doi.org/10.1007/978-3-319-49028-1
950
$a
Literature, Cultural and Media Studies (Springer-41173)
based on 0 review(s)
ALL
電子館藏
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
000000137833
電子館藏
1圖書
電子書
EB P94.6 E54 2017
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Multimedia file
http://dx.doi.org/10.1007/978-3-319-49028-1
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login