國立高雄大學圖資館 |

Language: English

Back

Andre Bazin, the critic as thinkerAm...

Bazin, Andre, (1918-1958.)

Andre Bazin, the critic as thinkerAmerican cinema from early Chaplin to the late 1950s /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Andre Bazin, the critic as thinkeredited by R. J. Cardullo.
Reminder of title:	American cinema from early Chaplin to the late 1950s /
other author:	Cardullo, R. J.
Published:	Rotterdam :SensePublishers :2017.
Description:	xx, 338 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Motion picturesHistory.United States
Online resource:	http://dx.doi.org/10.1007/978-94-6300-878-5
ISBN:	9789463008785$q(electronic bk.)

Andre Bazin, the critic as thinkerAmerican cinema from early Chaplin to the late 1950s /
Andre Bazin, the critic as thinkerAmerican cinema from early Chaplin to the late 1950s /[electronic resource] :edited by R. J. Cardullo. - Rotterdam :SensePublishers :2017. - xx, 338 p. :ill., digital ;24 cm.

"Andre Bazin (1918-58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: Francois Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style. Andre Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin's writings on American cinema: on directors such as Orson Welles, Charles Chaplin, Preston Sturges, Alfred Hitchcock, Howard Hawks, John Huston, Nicholas Ray, Erich von Stroheim, and Elia Kazan; and on films such as High Noon, Citizen Kane, Rear Window, Limelight, Scarface, Niagara, The Red Badge of Courage, Greed, and Sullivan's Travels. Andre Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s also features a sizable scholarly apparatus, including a contextual introduction to Bazin's life and work, a complete bibliography of Bazin's writings on American cinema, and credits of the films discussed. This volume thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world's pre-eminent critical thinkers."

ISBN: 9789463008785$q(electronic bk.)

Standard No.: 10.1007/978-94-6300-878-5doiSubjects--Personal Names:

774007
Bazin, Andre,
1918-1958.Subjects--Topical Terms:

204739
Motion pictures
--History.--United States

LC Class. No.: PN1998.3.B39 / A64 2017

Dewey Class. No.: 791.43092

Andre Bazin, the critic as thinkerAmerican cinema from early Chaplin to the late 1950s /
LDR:02671nmm a2200313 a 4500 001 507377
003 DE-He213
005 20170202062319.0
006 m d
007 cr nn 008maaau
008 171030s2017 ne s 0 eng d
020 $a 9789463008785$q(electronic bk.)
020 $a 9789463008761$q(paperback)
020 $a 9789463008778$q(hardback)
024 7 $a 10.1007/978-94-6300-878-5 $2 doi
035 $a 978-94-6300-878-5
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1998.3.B39 $b A64 2017
072 7 $a JN $2 bicssc
072 7 $a EDU000000 $2 bisacsh
082 0 4 $a 791.43092 $2 23
090 $a PN1998.3.B39 $b A555 2017
245 0 0 $a Andre Bazin, the critic as thinker $h [electronic resource] : $b American cinema from early Chaplin to the late 1950s / $c edited by R. J. Cardullo.
260 $a Rotterdam : $b SensePublishers : $b Imprint: SensePublishers, $c 2017.
300 $a xx, 338 p. : $b ill., digital ; $c 24 cm.
520 $a "Andre Bazin (1918-58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: Francois Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style. Andre Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin's writings on American cinema: on directors such as Orson Welles, Charles Chaplin, Preston Sturges, Alfred Hitchcock, Howard Hawks, John Huston, Nicholas Ray, Erich von Stroheim, and Elia Kazan; and on films such as High Noon, Citizen Kane, Rear Window, Limelight, Scarface, Niagara, The Red Badge of Courage, Greed, and Sullivan's Travels. Andre Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s also features a sizable scholarly apparatus, including a contextual introduction to Bazin's life and work, a complete bibliography of Bazin's writings on American cinema, and credits of the films discussed. This volume thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world's pre-eminent critical thinkers."
600 1 0 $a Bazin, Andre, $d 1918-1958. $3 774007
650 0 $a Motion pictures $z United States $x History. $3 204739
650 0 $a Film critics $z France $v Biography. $3 774008
650 1 4 $a Education. $3 177995
650 2 4 $a Education, general. $3 730921
700 1 $a Cardullo, R. J. $3 731661
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-94-6300-878-5
950 $a Education (Springer-41171)