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The memorial ethics of Libeskind's B...
~
Ionescu, Arleen.
The memorial ethics of Libeskind's Berlin Jewish Museum
Record Type:
Electronic resources : Monograph/item
Title/Author:
The memorial ethics of Libeskind's Berlin Jewish Museumby Arleen Ionescu.
Author:
Ionescu, Arleen.
Published:
London :Palgrave Macmillan UK :2017.
Description:
xiii, 305 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
Jewish museumsGermany
Online resource:
http://dx.doi.org/10.1057/978-1-137-53831-4
ISBN:
9781137538314$q(electronic bk.)
The memorial ethics of Libeskind's Berlin Jewish Museum
Ionescu, Arleen.
The memorial ethics of Libeskind's Berlin Jewish Museum
[electronic resource] /by Arleen Ionescu. - London :Palgrave Macmillan UK :2017. - xiii, 305 p. :ill., digital ;24 cm. - The holocaust and its contexts. - Holocaust and its contexts..
Introduction: A Museum with a View -- 1. Memory, History, Representation -- 2. Representing the Holocaust in Architecture -- 3. Ethics as Optics: Libeskind's Berlin Jewish Museum -- 4. Extension to Libeskind's Museum -- Epilogue.
This book is a detailed critical study of Libeskind's Berlin Jewish Museum in its historical, architectural and philosophical context. Emphasizing how the Holocaust changed our perception of history, memory, witnessing and representation, it develops the notion of 'memorial ethics' to explore the Museum's difference from more conventional post-World War Two commemorative sites. The main focus is on the Museum as an experience of the materiality of trauma which engages the visitor in a performative duty to remember. Arleen Ionescu builds on Levinas's idea of 'ethics as optics' to show how Libeskind's Museum becomes a testimony to the unpresentable Other. Ionescu also extends the Museum's experiential dimension by proposing her own subjective walk through Libeskind's space reimagined as a 'literary museum'. Featuring reflections on texts by Beckett, Celan, Derrida, Kafka, Blanchot, Wiesel and Selma Meerbaum-Eisinger (Celan's cousin), this virtual tour concludes with a brief account of Libeskind's analogous 'healing project' for Ground Zero.
ISBN: 9781137538314$q(electronic bk.)
Standard No.: 10.1057/978-1-137-53831-4doiSubjects--Corporate Names:
774122
Judisches Museum Berlin (1999- )
Subjects--Topical Terms:
774123
Jewish museums
--Germany
LC Class. No.: DS134.23 / .I56 2017
Dewey Class. No.: 305.8924043
The memorial ethics of Libeskind's Berlin Jewish Museum
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The holocaust and its contexts
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Introduction: A Museum with a View -- 1. Memory, History, Representation -- 2. Representing the Holocaust in Architecture -- 3. Ethics as Optics: Libeskind's Berlin Jewish Museum -- 4. Extension to Libeskind's Museum -- Epilogue.
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This book is a detailed critical study of Libeskind's Berlin Jewish Museum in its historical, architectural and philosophical context. Emphasizing how the Holocaust changed our perception of history, memory, witnessing and representation, it develops the notion of 'memorial ethics' to explore the Museum's difference from more conventional post-World War Two commemorative sites. The main focus is on the Museum as an experience of the materiality of trauma which engages the visitor in a performative duty to remember. Arleen Ionescu builds on Levinas's idea of 'ethics as optics' to show how Libeskind's Museum becomes a testimony to the unpresentable Other. Ionescu also extends the Museum's experiential dimension by proposing her own subjective walk through Libeskind's space reimagined as a 'literary museum'. Featuring reflections on texts by Beckett, Celan, Derrida, Kafka, Blanchot, Wiesel and Selma Meerbaum-Eisinger (Celan's cousin), this virtual tour concludes with a brief account of Libeskind's analogous 'healing project' for Ground Zero.
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Jewish museums
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電子館藏
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EB DS134.23 I64 2017
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1 records • Pages 1 •
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http://dx.doi.org/10.1057/978-1-137-53831-4
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