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Cultural specificity in Indonesian f...

Hanan, David.

Cultural specificity in Indonesian filmdiversity in unity /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Cultural specificity in Indonesian filmby David Hanan.
Reminder of title:	diversity in unity /
Author:	Hanan, David.
Published:	Cham :Springer International Publishing :2017.
Description:	xix, 331 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Motion picturesIndonesia.
Online resource:	http://dx.doi.org/10.1007/978-3-319-40874-3
ISBN:	9783319408743$q(electronic bk.)

Cultural specificity in Indonesian filmdiversity in unity /
Hanan, David.

Cultural specificity in Indonesian filmdiversity in unity /[electronic resource] :by David Hanan. - Cham :Springer International Publishing :2017. - xix, 331 p. :ill., digital ;24 cm.

This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants--for example forms of group body language and forms of consultation--not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways.

ISBN: 9783319408743$q(electronic bk.)

Standard No.: 10.1007/978-3-319-40874-3doiSubjects--Topical Terms:

772714
Motion pictures
--Indonesia.

LC Class. No.: PN1993.5.I84 / H36 2017

Dewey Class. No.: 791.4309598

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520 $a This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants--for example forms of group body language and forms of consultation--not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways.
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