國立高雄大學圖資館 |

Language: English

Back

Staging queer feminismssexuality and...

French, Sarah.

Staging queer feminismssexuality and gender in Australian performance, 2005-2015 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Staging queer feminismsby Sarah French.
Reminder of title:	sexuality and gender in Australian performance, 2005-2015 /
Author:	French, Sarah.
Published:	London :Palgrave Macmillan UK :2017.
Description:	ix, 263 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Gender identity in the theater21st century.Australia
Online resource:	http://dx.doi.org/10.1057/978-1-137-46543-6
ISBN:	9781137465436$q(electronic bk.)

Staging queer feminismssexuality and gender in Australian performance, 2005-2015 /
French, Sarah.

Staging queer feminismssexuality and gender in Australian performance, 2005-2015 /[electronic resource] :by Sarah French. - London :Palgrave Macmillan UK :2017. - ix, 263 p. :ill., digital ;24 cm. - Contemporary performance interactions. - Contemporary performance interactions..

1. Introduction: Staging Queer Feminisms -- 2. Pleasure, Pain and the Politics of Affect: Moira Finucane's Gotharama and The Feast of Argentina Gina Catalina -- 3. Queer Femme Drag and Female Narcissism in Yana Alana's Between the Cracks -- 4. Disidentifying with 'The Good Indigenous Citizen': Constantina Bush and Blak Cabaret -- 5. Queering History, Race and Nation in Sisters Grimm's Summertime in the Garden of Eden and The Sovereign Wife -- 6. Spectacle, Community and Memory in the Feminist Performance Art of Brown Council -- 7. Radical Feminist Adaptation in The Rabble's Orlando, Story of O and Frankenstein -- 8. 'Fighting the Power Never Tasted So Sweet': Hot Brown Honey and Concluding Remarks -- Bibliography -- Index.

'Sarah French's landmark book astutely frames twenty-first-century performance considered queer and feminist within an artistic category in its own right. It is very exciting to read about these theatrically accomplished but challenging innovative performances, and the complex ways in which they are meaningful. Just as these performances merit thorough investigation, this important book equally deserves the serious attention of a wide readership.' -- Peta Tait, La Trobe University, Australia 'Sarah French's book provides a compelling insight into ten years of vital, subversive, genre-defying Australian performance. She brings the anarchic energy of the performances alive and frames her persuasive analysis within appropriate intersectional feminist and postcolonial frameworks.' -- Sarah Gorman, University of Roehampton, UK This book examines sexuality, gender and race in Australia's vibrant independent theatre and performance culture. It analyses selected feminist and queer performances that interrogate the cultural construction of sexuality and gender, challenge the normative trends of mainstream Australian society and culture and open up spaces for alternative representations of gender identity and sexual expression. Offering the first full-length study on sexuality and gender in Australian theatre since 2005, this book reveals a resurgence of feminist themes in independent performance and explores the intersection of feminist and queer politics. Ranging across drag, burlesque, cabaret, theatre and performance art, the book provides an accessible and engaging account of some of the most innovative, entertaining and politically subversive Australian theatrical works from the past decade.

ISBN: 9781137465436$q(electronic bk.)

Standard No.: 10.1057/978-1-137-46543-6doiSubjects--Topical Terms:

779877
Gender identity in the theater
--Australia--21st century.

LC Class. No.: PN3011.5 / .F74 2017

Dewey Class. No.: 792.0994

Staging queer feminismssexuality and gender in Australian performance, 2005-2015 /
LDR:03492nmm a2200325 a 4500 001 512155
003 DE-He213
005 20170413125751.0
006 m d
007 cr nn 008maaau
008 171226s2017 enk s 0 eng d
020 $a 9781137465436$q(electronic bk.)
020 $a 9781137465429$q(paper)
024 7 $a 10.1057/978-1-137-46543-6 $2 doi
035 $a 978-1-137-46543-6
040 $a GP $c GP
041 0 $a eng
050 4 $a PN3011.5 $b .F74 2017
072 7 $a AN $2 bicssc
072 7 $a PER011000 $2 bisacsh
082 0 4 $a 792.0994 $2 23
090 $a PN3011.5 $b .F876 2017
100 1 $a French, Sarah. $3 779876
245 1 0 $a Staging queer feminisms $h [electronic resource] : $b sexuality and gender in Australian performance, 2005-2015 / $c by Sarah French.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2017.
300 $a ix, 263 p. : $b ill., digital ; $c 24 cm.
490 1 $a Contemporary performance interactions
505 0 $a 1. Introduction: Staging Queer Feminisms -- 2. Pleasure, Pain and the Politics of Affect: Moira Finucane's Gotharama and The Feast of Argentina Gina Catalina -- 3. Queer Femme Drag and Female Narcissism in Yana Alana's Between the Cracks -- 4. Disidentifying with 'The Good Indigenous Citizen': Constantina Bush and Blak Cabaret -- 5. Queering History, Race and Nation in Sisters Grimm's Summertime in the Garden of Eden and The Sovereign Wife -- 6. Spectacle, Community and Memory in the Feminist Performance Art of Brown Council -- 7. Radical Feminist Adaptation in The Rabble's Orlando, Story of O and Frankenstein -- 8. 'Fighting the Power Never Tasted So Sweet': Hot Brown Honey and Concluding Remarks -- Bibliography -- Index.
520 $a 'Sarah French's landmark book astutely frames twenty-first-century performance considered queer and feminist within an artistic category in its own right. It is very exciting to read about these theatrically accomplished but challenging innovative performances, and the complex ways in which they are meaningful. Just as these performances merit thorough investigation, this important book equally deserves the serious attention of a wide readership.' -- Peta Tait, La Trobe University, Australia 'Sarah French's book provides a compelling insight into ten years of vital, subversive, genre-defying Australian performance. She brings the anarchic energy of the performances alive and frames her persuasive analysis within appropriate intersectional feminist and postcolonial frameworks.' -- Sarah Gorman, University of Roehampton, UK This book examines sexuality, gender and race in Australia's vibrant independent theatre and performance culture. It analyses selected feminist and queer performances that interrogate the cultural construction of sexuality and gender, challenge the normative trends of mainstream Australian society and culture and open up spaces for alternative representations of gender identity and sexual expression. Offering the first full-length study on sexuality and gender in Australian theatre since 2005, this book reveals a resurgence of feminist themes in independent performance and explores the intersection of feminist and queer politics. Ranging across drag, burlesque, cabaret, theatre and performance art, the book provides an accessible and engaging account of some of the most innovative, entertaining and politically subversive Australian theatrical works from the past decade.
650 0 $a Gender identity in the theater $z Australia $y 21st century. $3 779877
650 0 $a Sex in art. $3 546349
650 0 $a Theater $z Australia $y 21st century. $3 779878
650 1 4 $a Cultural and Media Studies. $3 732821
650 2 4 $a Theatre and Performance Studies. $3 739826
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
830 0 $a Contemporary performance interactions. $3 739821
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-46543-6
950 $a Literature, Cultural and Media Studies (Springer-41173)