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Baroque, Venice, theatre, philosophy
~
Daddario, Will.
Baroque, Venice, theatre, philosophy
Record Type:
Electronic resources : Monograph/item
Title/Author:
Baroque, Venice, theatre, philosophyby Will Daddario.
Author:
Daddario, Will.
Published:
Cham :Springer International Publishing :2017.
Description:
ix, 261 p. :digital ;22 cm.
Contained By:
Springer eBooks
Subject:
TheaterPhilosophy.
Online resource:
http://dx.doi.org/10.1007/978-3-319-49523-1
ISBN:
9783319495231$q(electronic bk.)
Baroque, Venice, theatre, philosophy
Daddario, Will.
Baroque, Venice, theatre, philosophy
[electronic resource] /by Will Daddario. - Cham :Springer International Publishing :2017. - ix, 261 p. :digital ;22 cm. - Performance philosophy. - Performance philosophy..
Introduction -- Part I. Baroque Pastoral -- Chapter 1. Garden Thinking and Baroque Pastoral -- Chapter 2. Pastoral Askew and Aslant -- Chapter 3. Jesuit Pastoral Theatre -- Part II. Discipline and Excess -- Chapter 4. Ruzzante Takes Place -- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo' -- Chapter 6. Baroque Diarchic Self -- Bibliography -- Index.
This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.
ISBN: 9783319495231$q(electronic bk.)
Standard No.: 10.1007/978-3-319-49523-1doiSubjects--Personal Names:
787628
Ruzzante,
1502?-1542.Subjects--Topical Terms:
221873
Theater
--Philosophy.
LC Class. No.: PN2039 / .D23 2017
Dewey Class. No.: 792.01
Baroque, Venice, theatre, philosophy
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2017.
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Introduction -- Part I. Baroque Pastoral -- Chapter 1. Garden Thinking and Baroque Pastoral -- Chapter 2. Pastoral Askew and Aslant -- Chapter 3. Jesuit Pastoral Theatre -- Part II. Discipline and Excess -- Chapter 4. Ruzzante Takes Place -- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo' -- Chapter 6. Baroque Diarchic Self -- Bibliography -- Index.
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This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.
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http://dx.doi.org/10.1007/978-3-319-49523-1
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Literature, Cultural and Media Studies (Springer-41173)
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電子館藏
1圖書
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EB PN2039 D121 2017
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1 records • Pages 1 •
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http://dx.doi.org/10.1007/978-3-319-49523-1
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