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Reading Lena Dunham's Girlsfeminism,...
~
Dunham, Lena, (1986-)
Reading Lena Dunham's Girlsfeminism, postfeminism, authenticity and gendered performance in contemporary television /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Reading Lena Dunham's Girlsedited by Meredith Nash, Imelda Whelehan.
Reminder of title:
feminism, postfeminism, authenticity and gendered performance in contemporary television /
other author:
Nash, Meredith.
Published:
Cham :Springer International Publishing :2017.
Description:
xi, 255 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
ActorsBiography.United States
Online resource:
http://dx.doi.org/10.1007/978-3-319-52971-4
ISBN:
9783319529714$q(electronic bk.)
Reading Lena Dunham's Girlsfeminism, postfeminism, authenticity and gendered performance in contemporary television /
Reading Lena Dunham's Girls
feminism, postfeminism, authenticity and gendered performance in contemporary television /[electronic resource] :edited by Meredith Nash, Imelda Whelehan. - Cham :Springer International Publishing :2017. - xi, 255 p. :ill., digital ;24 cm.
In this book, leading international and emerging scholars consider the mixed critical responses to Lena Dunham's TV series Girls and reflect on its significance to contemporary debates about postfeminist popular cultures in a post-recession context. The series features both familiar and innovative depictions of young women and men in contemporary America that invites comparisons withSex and the City. It aims for a refreshed, authentic expression of postfeminist femininity that eschews the glamour and aspirational fantasies spawned by its predecessor. The authors of this volume discuss the contemporary scholarship on Girls, from its representation of post-millennial gender politics to revulsion and repugnance at depictions of the messiness and imperfections of sex, embodiment, and social interactions. Topics covered by the chapters include Dunham's privileged role as author/auteur/actor, sexuality, body consciousness, millennial gender identities, the politics of representation, neoliberalism, and post-recession society. This book provides diverse and provocative critical responses to the show and to wider social and media contexts, and contributes to a new generation of feminist scholarship with a powerful concluding reflection from Rosalind Gill. This work will appeal to those interested in feminist theory, identity politics, popular culture, and media.
ISBN: 9783319529714$q(electronic bk.)
Standard No.: 10.1007/978-3-319-52971-4doiSubjects--Personal Names:
787649
Dunham, Lena,
1986---Criticism and interpretation.Subjects--Uniform Titles:
Girls (Television program)
Subjects--Topical Terms:
450791
Actors
--United States--Biography.
LC Class. No.: PN1992.77.G5535 / R43 2017
Dewey Class. No.: 791.45028092
Reading Lena Dunham's Girlsfeminism, postfeminism, authenticity and gendered performance in contemporary television /
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feminism, postfeminism, authenticity and gendered performance in contemporary television /
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edited by Meredith Nash, Imelda Whelehan.
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In this book, leading international and emerging scholars consider the mixed critical responses to Lena Dunham's TV series Girls and reflect on its significance to contemporary debates about postfeminist popular cultures in a post-recession context. The series features both familiar and innovative depictions of young women and men in contemporary America that invites comparisons withSex and the City. It aims for a refreshed, authentic expression of postfeminist femininity that eschews the glamour and aspirational fantasies spawned by its predecessor. The authors of this volume discuss the contemporary scholarship on Girls, from its representation of post-millennial gender politics to revulsion and repugnance at depictions of the messiness and imperfections of sex, embodiment, and social interactions. Topics covered by the chapters include Dunham's privileged role as author/auteur/actor, sexuality, body consciousness, millennial gender identities, the politics of representation, neoliberalism, and post-recession society. This book provides diverse and provocative critical responses to the show and to wider social and media contexts, and contributes to a new generation of feminist scholarship with a powerful concluding reflection from Rosalind Gill. This work will appeal to those interested in feminist theory, identity politics, popular culture, and media.
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Literature, Cultural and Media Studies (Springer-41173)
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EB PN1992.77.G5535 R287 2017
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http://dx.doi.org/10.1007/978-3-319-52971-4
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