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Afflictionssteps toward a visual psy...

Lemelson, Robert.

Afflictionssteps toward a visual psychological anthropology /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Afflictionsby Robert Lemelson, Annie Tucker.
Reminder of title:	steps toward a visual psychological anthropology /
Author:	Lemelson, Robert.
other author:	Tucker, Annie.
Published:	Cham :Springer International Publishing :2017.
Description:	xxvi, 306 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	EthnopsychologyMethodology.
Online resource:	http://dx.doi.org/10.1007/978-3-319-59984-7
ISBN:	9783319599847$q(electronic bk.)

Afflictionssteps toward a visual psychological anthropology /
Lemelson, Robert.

Afflictionssteps toward a visual psychological anthropology /[electronic resource] :by Robert Lemelson, Annie Tucker. - Cham :Springer International Publishing :2017. - xxvi, 306 p. :ill., digital ;24 cm. - Culture, mind, and society. - Culture, mind, and society..

1. Introduction -- 2. Precedents and Possibilities: Towards an Integration of Visual and Psychological Anthropology -- 3. Culture, Mental Illness, and Outcome in Java and Bali -- 4. The Bird Dancer: Social Suffering and the Question of Therapeutic Visual Ethnography -- 5. Shadows and Illuminations: The Complexities of Interpreting and Framing Extraordinary Experience -- 6. Family Victim: Encountering Deviance and Representing Intersubjectivity -- 7. Memory of My Face: Globalization, Madness, and Identity Onscreen -- 8. Ritual Burdens: Culturally Defined Stressors and Developmental Progressions -- 9. Kites and Monsters: Continuity in Cultural Practices and Visual Representation -- 10. Basic Concepts in Filming for Visual Psychological Anthropology -- 11. Visual Person-Centered Ethnography: Adapting Core Methodologies and Articulating Principles for Visual Psychological Anthropology.

This book is one of the first to integrate psychological and medical anthropology with the methodologies of visual anthropology, specifically ethnographic film. It discusses and complements the work presented in Afflictions: Culture and Mental Illness in Indonesia, the first film series on psychiatric disorders in the developing world, in order to explore pertinent issues in the cross-cultural study of mental illness and advocate for the unique role film can play both in the discipline and in participants' lives. Through ethnographically rich and self-reflexive discussions of the films, their production, and their impact, the book at once provides theoretical and practical guidance, encouragement, and caveats for students and others who may want to make such films.

ISBN: 9783319599847$q(electronic bk.)

Standard No.: 10.1007/978-3-319-59984-7doiSubjects--Topical Terms:

789090
Ethnopsychology
--Methodology.

LC Class. No.: GN347 / .L46 2017

Dewey Class. No.: 301

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505 0 $a 1. Introduction -- 2. Precedents and Possibilities: Towards an Integration of Visual and Psychological Anthropology -- 3. Culture, Mental Illness, and Outcome in Java and Bali -- 4. The Bird Dancer: Social Suffering and the Question of Therapeutic Visual Ethnography -- 5. Shadows and Illuminations: The Complexities of Interpreting and Framing Extraordinary Experience -- 6. Family Victim: Encountering Deviance and Representing Intersubjectivity -- 7. Memory of My Face: Globalization, Madness, and Identity Onscreen -- 8. Ritual Burdens: Culturally Defined Stressors and Developmental Progressions -- 9. Kites and Monsters: Continuity in Cultural Practices and Visual Representation -- 10. Basic Concepts in Filming for Visual Psychological Anthropology -- 11. Visual Person-Centered Ethnography: Adapting Core Methodologies and Articulating Principles for Visual Psychological Anthropology.
520 $a This book is one of the first to integrate psychological and medical anthropology with the methodologies of visual anthropology, specifically ethnographic film. It discusses and complements the work presented in Afflictions: Culture and Mental Illness in Indonesia, the first film series on psychiatric disorders in the developing world, in order to explore pertinent issues in the cross-cultural study of mental illness and advocate for the unique role film can play both in the discipline and in participants' lives. Through ethnographically rich and self-reflexive discussions of the films, their production, and their impact, the book at once provides theoretical and practical guidance, encouragement, and caveats for students and others who may want to make such films.
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