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Repetition in performancereturns and...

Kartsaki, Eirini.

Repetition in performancereturns and invisible forces /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Repetition in performanceby Eirini Kartsaki.
其他題名:	returns and invisible forces /
作者:	Kartsaki, Eirini.
出版者:	London :Palgrave Macmillan UK :2017.
面頁冊數:	xii, 169 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Repetition (Aesthetics)
電子資源:	http://dx.doi.org/10.1057/978-1-137-43054-0
ISBN:	9781137430540$q(electronic bk.)

Repetition in performancereturns and invisible forces /
Kartsaki, Eirini.

Repetition in performancereturns and invisible forces /[electronic resource] :by Eirini Kartsaki. - London :Palgrave Macmillan UK :2017. - xii, 169 p. :ill., digital ;24 cm.

1. Introduction: Invisible Forces -- 2. Stein, Beckett, Rainer and Brown -- 3. After Barthes -- 4. After Stein -- 5. Performance Returns -- 6. After Lacan -- 7. Conclusion: Filling the Gaps -- Bibliography -- Index.

This book explores repetition in contemporary performance and spectatorship. It offers an impassioned account of the ways in which speech, movement and structures repeat in performances by Pina Bausch, Anne Teresa De Keersmaeker, Lone Twin Theatre, Haranczak/Navarre and Marco Berrettini. It addresses repetition in relation to processes of desire and draws attention to the forces that repetition captures and makes visible. What is it in performances of repetition that persuades us to return to them again and again? How might we unpack their complexities and come to terms with their demands upon us? While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.

ISBN: 9781137430540$q(electronic bk.)

Standard No.: 10.1057/978-1-137-43054-0doiSubjects--Topical Terms:

791227
Repetition (Aesthetics)

LC Class. No.: B105.R37 / K37 2017

Dewey Class. No.: 700.1

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520 $a This book explores repetition in contemporary performance and spectatorship. It offers an impassioned account of the ways in which speech, movement and structures repeat in performances by Pina Bausch, Anne Teresa De Keersmaeker, Lone Twin Theatre, Haranczak/Navarre and Marco Berrettini. It addresses repetition in relation to processes of desire and draws attention to the forces that repetition captures and makes visible. What is it in performances of repetition that persuades us to return to them again and again? How might we unpack their complexities and come to terms with their demands upon us? While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
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