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Historical theory and methods throug...

McClure, Daniel Robert.

Historical theory and methods through popular music, 1970-2000"Those are the New Saints" /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Historical theory and methods through popular music, 1970-2000by Kenneth L. Shonk, Jr., Daniel Robert McClure.
Reminder of title:	"Those are the New Saints" /
Author:	Shonk, Kenneth L.
other author:	McClure, Daniel Robert.
Published:	London :Palgrave Macmillan UK :2017.
Description:	xii, 311 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	MusicSocial aspects.
Online resource:	http://dx.doi.org/10.1057/978-1-137-57072-7
ISBN:	9781137570727$q(electronic bk.)

Historical theory and methods through popular music, 1970-2000"Those are the New Saints" /
Shonk, Kenneth L.

Historical theory and methods through popular music, 1970-2000"Those are the New Saints" /[electronic resource] :by Kenneth L. Shonk, Jr., Daniel Robert McClure. - London :Palgrave Macmillan UK :2017. - xii, 311 p. :ill., digital ;24 cm. - Pop music, culture and identity. - Pop music, culture and identity..

1. Introduction: Those are the new saints -- 2. "'400 Years': Modernity, the Longue Duree, and Jamaican Music, 1600s-1980s" -- 3."This Charming Man: Queer and Alternative Masculinities, 1970-1994" -- 4."Will the Wolf Survive?": Chicana/o Identity and Punk Rock in Los Angeles, 1977-2000." -- 5. "A Perfect New Loop: Hip-Hop, Deindustrialization, and the Post-Civil Rights Era, and Hip-Hop, 1973-2000" -- 6. "The Pride of History": Post-Punk and the Aesthetics of Postmodernity -- 7. "Waveless--MTV and the 'Quiet' Feminism of the 1980s" -- 8. "Hiraeth--The Celtic Moment in 1980s Alternative Rock" -- 9. "Feels Blind: Counter-Hegemony in Alternative Rock during the Reagan/Thatcher Era" -- 10. "No Depression: The Nostalgia and Authenticity of Alternative Country" -- 11. Conclusion.

This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity--an explicit positioning of one's expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic.

ISBN: 9781137570727$q(electronic bk.)

Standard No.: 10.1057/978-1-137-57072-7doiSubjects--Topical Terms:

187643
Music
--Social aspects.

LC Class. No.: ML3917.U6 / S56 2017

Dewey Class. No.: 306.48420973

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505 0 $a 1. Introduction: Those are the new saints -- 2. "'400 Years': Modernity, the Longue Duree, and Jamaican Music, 1600s-1980s" -- 3."This Charming Man: Queer and Alternative Masculinities, 1970-1994" -- 4."Will the Wolf Survive?": Chicana/o Identity and Punk Rock in Los Angeles, 1977-2000." -- 5. "A Perfect New Loop: Hip-Hop, Deindustrialization, and the Post-Civil Rights Era, and Hip-Hop, 1973-2000" -- 6. "The Pride of History": Post-Punk and the Aesthetics of Postmodernity -- 7. "Waveless--MTV and the 'Quiet' Feminism of the 1980s" -- 8. "Hiraeth--The Celtic Moment in 1980s Alternative Rock" -- 9. "Feels Blind: Counter-Hegemony in Alternative Rock during the Reagan/Thatcher Era" -- 10. "No Depression: The Nostalgia and Authenticity of Alternative Country" -- 11. Conclusion.
520 $a This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity--an explicit positioning of one's expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic.
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