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Legacies of the degraded image in vi...
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Bender, Stuart Marshall.
Legacies of the degraded image in violent digital media
Record Type:
Electronic resources : Monograph/item
Title/Author:
Legacies of the degraded image in violent digital mediaby Stuart Marshall Bender.
Author:
Bender, Stuart Marshall.
Published:
Cham :Springer International Publishing :2017.
Description:
x, 144 p. :ill. (some col.), digital ;22 cm.
Contained By:
Springer eBooks
Subject:
Violence in mass mediaPublic opinion.
Online resource:
http://dx.doi.org/10.1007/978-3-319-64459-2
ISBN:
9783319644592$q(electronic bk.)
Legacies of the degraded image in violent digital media
Bender, Stuart Marshall.
Legacies of the degraded image in violent digital media
[electronic resource] /by Stuart Marshall Bender. - Cham :Springer International Publishing :2017. - x, 144 p. :ill. (some col.), digital ;22 cm.
Chapter 1: Introduction -- Chapter 2: They Shoot Pixels Don't They? Killing Pixels From Patriot Games to Collateral Murder and Call of Duty -- Chapter 3: Performing Murder on Live Television and Social Media -- Chapter 4: Rethinking the Aesthetics of Terror Videos -- Chapter 5: The Aesthetics of Sousveillance: Redacted (2007) -- Chapter 6: Splats and Splashes: The Drone Warfare Genre and Digitally Mediated Trauma -- Chapter 7: Conclusion.
This book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic. Stuart Marshall Bender is an Early Career Research Fellow at Curtin University, Australia, exploring the digital aesthetics of violence. A scholar and filmmaker, he has published work in The Journal of Popular Film & Television, M/C Journal, First Monday and had films screened in competition at a range of international festivals.
ISBN: 9783319644592$q(electronic bk.)
Standard No.: 10.1007/978-3-319-64459-2doiSubjects--Topical Terms:
791319
Violence in mass media
--Public opinion.
LC Class. No.: P96.V5 / B46 2017
Dewey Class. No.: 303.6
Legacies of the degraded image in violent digital media
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Chapter 1: Introduction -- Chapter 2: They Shoot Pixels Don't They? Killing Pixels From Patriot Games to Collateral Murder and Call of Duty -- Chapter 3: Performing Murder on Live Television and Social Media -- Chapter 4: Rethinking the Aesthetics of Terror Videos -- Chapter 5: The Aesthetics of Sousveillance: Redacted (2007) -- Chapter 6: Splats and Splashes: The Drone Warfare Genre and Digitally Mediated Trauma -- Chapter 7: Conclusion.
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This book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic. Stuart Marshall Bender is an Early Career Research Fellow at Curtin University, Australia, exploring the digital aesthetics of violence. A scholar and filmmaker, he has published work in The Journal of Popular Film & Television, M/C Journal, First Monday and had films screened in competition at a range of international festivals.
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Literature, Cultural and Media Studies (Springer-41173)
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EB P96.V5 B458 2017
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http://dx.doi.org/10.1007/978-3-319-64459-2
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