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Jerome Beldance, theatre, and the su...

Bel, Jerome

Jerome Beldance, theatre, and the subject /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Jerome Belby Gerald Siegmund.
Reminder of title:	dance, theatre, and the subject /
Author:	Siegmund, Gerald.
Published:	London :Palgrave Macmillan UK :2017.
Description:	xii, 286 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
Subject:	DancePhilosophy.
Online resource:	http://dx.doi.org/10.1057/978-1-137-55272-3
ISBN:	9781137552723$q(electronic bk.)

Jerome Beldance, theatre, and the subject /
Siegmund, Gerald.

Jerome Beldance, theatre, and the subject /[electronic resource] :by Gerald Siegmund. - London :Palgrave Macmillan UK :2017. - xii, 286 p. :ill., digital ;22 cm. - New world choreographies. - New world choreographies..

1. "I Write for the Black Box of the Stage": Jerome Bel and Theatre -- 2. Modern Subjects -- 3. Subjects of Discourse -- 4. Subjects of Knowledge -- 5. Critical Subjects -- 6. Subjects at Risk -- 7. Gala (2015): Dance in its Post-Medium Condition -- Index.

This study is the first monograph on the work of French choreographer Jerome Bel, following his artistic trajectory from the beginning of his career as a choreographer in 1994 to his most recent piece in 2016. It contains an overview and in-depth analysis of all of his choreographies, from Nom donne par l'auteur to Disabled Theatre, and provides a theoretical reflection on their theatrical nature. Bel has developed a singular discourse on dance that has often been labelled 'conceptual'. By reducing the stage elements in his performances to a minimum, his work explores the implications of dance as an art form that has, since the heyday of modernism, based its guiding principles on the laws of nature. Bel addresses the question of power relations in dance by working through the questions of authorship and various forms of subjectivity dance produces. Offering a unique opportunity to ground seemingly abstract academic theories in a specific embodied artistic practice, this study explores the intersection between artistic practice and theory.

ISBN: 9781137552723$q(electronic bk.)

Standard No.: 10.1057/978-1-137-55272-3doiSubjects--Personal Names:

794773
Bel, Jerome
--Criticism and interpretation.Subjects--Topical Terms:

748750
Dance
--Philosophy.

LC Class. No.: GV1785.B364 / S54 2017

Dewey Class. No.: 793.301

Jerome Beldance, theatre, and the subject /
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520 $a This study is the first monograph on the work of French choreographer Jerome Bel, following his artistic trajectory from the beginning of his career as a choreographer in 1994 to his most recent piece in 2016. It contains an overview and in-depth analysis of all of his choreographies, from Nom donne par l'auteur to Disabled Theatre, and provides a theoretical reflection on their theatrical nature. Bel has developed a singular discourse on dance that has often been labelled 'conceptual'. By reducing the stage elements in his performances to a minimum, his work explores the implications of dance as an art form that has, since the heyday of modernism, based its guiding principles on the laws of nature. Bel addresses the question of power relations in dance by working through the questions of authorship and various forms of subjectivity dance produces. Offering a unique opportunity to ground seemingly abstract academic theories in a specific embodied artistic practice, this study explores the intersection between artistic practice and theory.
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