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Testing coherence in narrative film

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Testing coherence in narrative film

Record Type:	Electronic resources : Monograph/item
Title/Author:	Testing coherence in narrative filmby Katerina Virvidaki.
Author:	Virvidaki, Katerina.
Published:	Cham :Springer International Publishing :2017.
Description:	ix, 218 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Motion picturesAesthetics.
Online resource:	http://dx.doi.org/10.1007/978-3-319-62196-8
ISBN:	9783319621968$q(electronic bk.)

Testing coherence in narrative film
Virvidaki, Katerina.

Testing coherence in narrative film[electronic resource] /by Katerina Virvidaki. - Cham :Springer International Publishing :2017. - ix, 218 p. :ill. (some col.), digital ;24 cm. - Palgrave close readings in film and television. - Palgrave close readings in film and television..

This book examines the concept of coherence in film studies. It asks if there are ways to appreciate the achievement of coherence in narrative films that are characterised by an eccentric or difficult style, as well as by an apparently confusing intelligibility. In order to answer this critical question, the author argues that we need to reconsider the predominant understanding of the concept of coherence in film studies. Virvidaki identifies how a general function of coherence is manifested through the aesthetic of transparency and unobtrusiveness of classical Hollywood film. The author then proceeds to a close analysis of stylistically perplexing narrative films, in order to demonstrate how we can broaden, expand and readjust the classical criteria of coherence. Testing Coherence in Narrative Film will appeal to film and philosophy scholars interested in aesthetics and narrative form.

ISBN: 9783319621968$q(electronic bk.)

Standard No.: 10.1007/978-3-319-62196-8doiSubjects--Topical Terms:

176990
Motion pictures
--Aesthetics.

LC Class. No.: PN1995 / .V47 2017

Dewey Class. No.: 791.4301

Testing coherence in narrative film
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520 $a This book examines the concept of coherence in film studies. It asks if there are ways to appreciate the achievement of coherence in narrative films that are characterised by an eccentric or difficult style, as well as by an apparently confusing intelligibility. In order to answer this critical question, the author argues that we need to reconsider the predominant understanding of the concept of coherence in film studies. Virvidaki identifies how a general function of coherence is manifested through the aesthetic of transparency and unobtrusiveness of classical Hollywood film. The author then proceeds to a close analysis of stylistically perplexing narrative films, in order to demonstrate how we can broaden, expand and readjust the classical criteria of coherence. Testing Coherence in Narrative Film will appeal to film and philosophy scholars interested in aesthetics and narrative form.
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