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Romantic childhood, romantic heirsreproduction and retrospection, 1820-1850 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Romantic childhood, romantic heirsby Beatrice Turner.
Reminder of title:	reproduction and retrospection, 1820-1850 /
Author:	Turner, Beatrice.
Published:	Cham :Springer International Publishing :2017.
Description:	xv, 245 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Authors, English.
Online resource:	http://dx.doi.org/10.1007/978-3-319-64970-2
ISBN:	9783319649702$q(electronic bk.)

Romantic childhood, romantic heirsreproduction and retrospection, 1820-1850 /
Turner, Beatrice.

Romantic childhood, romantic heirsreproduction and retrospection, 1820-1850 /[electronic resource] :by Beatrice Turner. - Cham :Springer International Publishing :2017. - xv, 245 p. :ill., digital ;24 cm. - Palgrave studies in the enlightenment, romanticism and the cultures of print. - Palgrave studies in the enlightenment, romanticism and the cultures of print..

1. Introduction -- 2. The Family, the Child, and the Memorial -- 3. Hartley Coleridge's 'little art of numbers': writing the child -- 4. Sara Coleridge and the 'mother's part': embodying the child -- 5. Mary Shelley's 'beloved acts': performing family feelings -- 6. William Godwin Jr and the 'ties of blood': after the family of feeling.

This book views Romantic literature's discourses of childhood, education, and reproduction through the eyes of four early nineteenth-century British authors who were uniquely implicated in those discourses. Hartley and Sara Coleridge, children of Samuel Taylor Coleridge, and Mary Wollstonecraft Shelley and William Godwin Jr, children of William Godwin, shared the predicament of being both 'real' and 'literary' children. All the children of authors who helped shape culturally-definitive Romantic-period ideas about childhood, they wrote back to their fathers in order to understand and to resist the ways in which they were produced by paternal texts which foreclose the possibility of the child's own regeneration. This study proposes that through this predicament, and their responses to it, the literature of the period between the Romantic and the Victorian periods comes into focus, marked by an anxiety not of influence, but of reproduction. It suggests that one reason why this period has tended to disappear from view lies in the sense of historical and aesthetic difference, and productive failure, which this study uncovers.

ISBN: 9783319649702$q(electronic bk.)

Standard No.: 10.1007/978-3-319-64970-2doiSubjects--Topical Terms:

687079
Authors, English.

LC Class. No.: PR447 / .T87 2017

Dewey Class. No.: 820.9145

Romantic childhood, romantic heirsreproduction and retrospection, 1820-1850 /
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505 0 $a 1. Introduction -- 2. The Family, the Child, and the Memorial -- 3. Hartley Coleridge's 'little art of numbers': writing the child -- 4. Sara Coleridge and the 'mother's part': embodying the child -- 5. Mary Shelley's 'beloved acts': performing family feelings -- 6. William Godwin Jr and the 'ties of blood': after the family of feeling.
520 $a This book views Romantic literature's discourses of childhood, education, and reproduction through the eyes of four early nineteenth-century British authors who were uniquely implicated in those discourses. Hartley and Sara Coleridge, children of Samuel Taylor Coleridge, and Mary Wollstonecraft Shelley and William Godwin Jr, children of William Godwin, shared the predicament of being both 'real' and 'literary' children. All the children of authors who helped shape culturally-definitive Romantic-period ideas about childhood, they wrote back to their fathers in order to understand and to resist the ways in which they were produced by paternal texts which foreclose the possibility of the child's own regeneration. This study proposes that through this predicament, and their responses to it, the literature of the period between the Romantic and the Victorian periods comes into focus, marked by an anxiety not of influence, but of reproduction. It suggests that one reason why this period has tended to disappear from view lies in the sense of historical and aesthetic difference, and productive failure, which this study uncovers.
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