國立高雄大學圖資館 |

Language: English

Back

Homosexuality and Italian cinemafrom...

Giori, Mauro.

Homosexuality and Italian cinemafrom the fall of Fascism to the years of lead /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Homosexuality and Italian cinemaby Mauro Giori.
Reminder of title:	from the fall of Fascism to the years of lead /
Author:	Giori, Mauro.
Published:	London :Palgrave Macmillan UK :2017.
Description:	xvi, 272 p. :ill. (some col.), digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Homosexuality in motion pictures.
Online resource:	http://dx.doi.org/10.1057/978-1-137-56593-8
ISBN:	9781137565938$q(electronic bk.)

Homosexuality and Italian cinemafrom the fall of Fascism to the years of lead /
Giori, Mauro.

Homosexuality and Italian cinemafrom the fall of Fascism to the years of lead /[electronic resource] :by Mauro Giori. - London :Palgrave Macmillan UK :2017. - xvi, 272 p. :ill. (some col.), digital ;22 cm.

1. Introduction -- 2. Silence -- 3. Enjoying the Darkness -- 4. Undressing the Other -- 5. Luchinidi and Pasolinidi -- 6. Love in the Time of Panic -- 7. Sexual Revolution, Italian Style -- 8. Pornography of Death -- 9. The Only Good Thing -- 10. Homophiles and Gays Go to the Movies -- 11. Conclusion: Martyrdom and Pleasure.

This book is the first to establish the relevance of same-sex desires, pleasures and anxieties in the cinema of post-war Italy. It explores cinematic representations of homosexuality and their significance in a wider cultural struggle in Italy involving society, cinema, and sexuality between the 1940s and 1970s. Besides tracing the evolution of representations through both art and popular films, this book also analyses connections with consumer culture, film criticism and politics. Giori uncovers how complicated negotiations between challenges to and valorization of dominant forms of knowledge of homosexuality shaped representations and argues that they were not always the outcome of hatred but also sought to convey unmentionable pleasures and complicities. Through archival research and a survey of more than 600 films, the author enriches our understanding of thirty years of Italian film and cultural history.

ISBN: 9781137565938$q(electronic bk.)

Standard No.: 10.1057/978-1-137-56593-8doiSubjects--Topical Terms:

220250
Homosexuality in motion pictures.

LC Class. No.: PN1995.9.H55 / G56 2017

Dewey Class. No.: 791.4308664

Homosexuality and Italian cinemafrom the fall of Fascism to the years of lead /
LDR:02266nmm a2200313 a 4500 001 525213
003 DE-He213
005 20180518161016.0
006 m d
007 cr nn 008maaau
008 180904s2017 enk s 0 eng d
020 $a 9781137565938$q(electronic bk.)
020 $a 9781137565921$q(paper)
024 7 $a 10.1057/978-1-137-56593-8 $2 doi
035 $a 978-1-137-56593-8
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.H55 $b G56 2017
072 7 $a APF $2 bicssc
072 7 $a PER004000 $2 bisacsh
082 0 4 $a 791.4308664 $2 23
090 $a PN1995.9.H55 $b G499 2017
100 1 $a Giori, Mauro. $3 797402
245 1 0 $a Homosexuality and Italian cinema $h [electronic resource] : $b from the fall of Fascism to the years of lead / $c by Mauro Giori.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2017.
300 $a xvi, 272 p. : $b ill. (some col.), digital ; $c 22 cm.
505 0 $a 1. Introduction -- 2. Silence -- 3. Enjoying the Darkness -- 4. Undressing the Other -- 5. Luchinidi and Pasolinidi -- 6. Love in the Time of Panic -- 7. Sexual Revolution, Italian Style -- 8. Pornography of Death -- 9. The Only Good Thing -- 10. Homophiles and Gays Go to the Movies -- 11. Conclusion: Martyrdom and Pleasure.
520 $a This book is the first to establish the relevance of same-sex desires, pleasures and anxieties in the cinema of post-war Italy. It explores cinematic representations of homosexuality and their significance in a wider cultural struggle in Italy involving society, cinema, and sexuality between the 1940s and 1970s. Besides tracing the evolution of representations through both art and popular films, this book also analyses connections with consumer culture, film criticism and politics. Giori uncovers how complicated negotiations between challenges to and valorization of dominant forms of knowledge of homosexuality shaped representations and argues that they were not always the outcome of hatred but also sought to convey unmentionable pleasures and complicities. Through archival research and a survey of more than 600 films, the author enriches our understanding of thirty years of Italian film and cultural history.
650 0 $a Homosexuality in motion pictures. $3 220250
650 0 $a Motion pictures $z Italy $x History $y 20th century. $3 477702
650 1 4 $a Cultural and Media Studies. $3 732821
650 2 4 $a European Cinema. $3 750569
650 2 4 $a Culture and Gender. $3 766686
650 2 4 $a History of Italy. $3 744426
650 2 4 $a Gender Studies. $3 274235
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-56593-8
950 $a Literature, Cultural and Media Studies (Springer-41173)