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Gender, otherness, and culture in me...

Bradbury, Carlee A.

Gender, otherness, and culture in medieval and early modern art

Record Type:	Electronic resources : Monograph/item
Title/Author:	Gender, otherness, and culture in medieval and early modern artedited by Carlee A. Bradbury, Michelle Moseley-Christian.
other author:	Bradbury, Carlee A.
Published:	Cham :Springer International Publishing :2017.
Description:	xvii, 244 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Art and societyCongresses.HistoryTo 1600Europe
Online resource:	http://dx.doi.org/10.1007/978-3-319-65049-4
ISBN:	9783319650494$q(electronic bk.)

Gender, otherness, and culture in medieval and early modern art
Gender, otherness, and culture in medieval and early modern art[electronic resource] /edited by Carlee A. Bradbury, Michelle Moseley-Christian. - Cham :Springer International Publishing :2017. - xvii, 244 p. :ill., digital ;22 cm. - The new middle ages. - New middle ages..

1 Introduction. -- "Aspectu Desiderabilis": A Thirteenth Century Reliquary of David with the Face of Medusa -- Picturing Maternal Anxiety in the Miracle of the Jew of Bourges -- Gender and Poverty in Late Medieval Art -- Forms of Gendered Testimony in Dieric Bouts's Justice of Otto III -- "In Love and Faithfulness Toward One Another Like Brothers." Durer's Feast of the Rose Garland and the Scuola dei Tedeschi as Strategies for Mediating Masculine Identity -- "The monster, death, becomes pregnant": Female Transi Tombs from Renaissance France -- Embodying Gluttony as Women's Wildness: Rembrandt's Naked Woman Seated on a Mound.

This collection examines gender and Otherness other as tools to understand medieval and early modern art as products of their social environments. The essays, uniting a diverse array of up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts's Justice of Otto III, Albrecht Durer's Feast of the Rose Garland, Rembrandt van Rijn's Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion honor, virtue, sexuality, and motherhood, among others.

ISBN: 9783319650494$q(electronic bk.)

Standard No.: 10.1007/978-3-319-65049-4doiSubjects--Topical Terms:

797503
Art and society
--History--Europe--To 1600--Congresses.

LC Class. No.: N8217.G397 / G46 2017

Dewey Class. No.: 700.4521

Gender, otherness, and culture in medieval and early modern art
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505 0 $a 1 Introduction. -- "Aspectu Desiderabilis": A Thirteenth Century Reliquary of David with the Face of Medusa -- Picturing Maternal Anxiety in the Miracle of the Jew of Bourges -- Gender and Poverty in Late Medieval Art -- Forms of Gendered Testimony in Dieric Bouts's Justice of Otto III -- "In Love and Faithfulness Toward One Another Like Brothers." Durer's Feast of the Rose Garland and the Scuola dei Tedeschi as Strategies for Mediating Masculine Identity -- "The monster, death, becomes pregnant": Female Transi Tombs from Renaissance France -- Embodying Gluttony as Women's Wildness: Rembrandt's Naked Woman Seated on a Mound.
520 $a This collection examines gender and Otherness other as tools to understand medieval and early modern art as products of their social environments. The essays, uniting a diverse array of up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts's Justice of Otto III, Albrecht Durer's Feast of the Rose Garland, Rembrandt van Rijn's Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion honor, virtue, sexuality, and motherhood, among others.
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