國立高雄大學圖資館 |

Language: English

Back

Musical modernism and German cinema ...

Finocchiaro, Francesco.

Musical modernism and German cinema from 1913 to 1933

Record Type:	Electronic resources : Monograph/item
Title/Author:	Musical modernism and German cinema from 1913 to 1933by Francesco Finocchiaro.
Author:	Finocchiaro, Francesco.
Published:	Cham :Springer International Publishing :2017.
Description:	xix, 259 p. :ill. (some col.), music, digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Motion picturesHistory20th century.Germany
Online resource:	http://dx.doi.org/10.1007/978-3-319-58262-7
ISBN:	9783319582627$q(electronic bk.)

Musical modernism and German cinema from 1913 to 1933
Finocchiaro, Francesco.

Musical modernism and German cinema from 1913 to 1933[electronic resource] /by Francesco Finocchiaro. - Cham :Springer International Publishing :2017. - xix, 259 p. :ill. (some col.), music, digital ;22 cm.

1. Introduction: The cinematic paradigm -- 2. Prologue. Cinema and the arts -- 3. Cinema and expressionist drama -- 4. Paul Hindemtih and the cinematic universe -- 5. Edmund Meisel: the cinematic composer -- 6. Der Rosenkavalier: a problematic remediation -- 7. Cinema and musical theatre: Kurt Weill and the Filmmusik in Royal Palace -- 8. Alban Berg, Lulu and cinema as artifice -- 9. New Objectivity and abstract cinema -- 10. Between film music and chamber music -- 11. Epilogue. The dawn of sound cinema.

This book investigates the relationship between musical Modernism and German cinema. It paves the way for anunorthodox path of research, one which has been little explored up until now. The main figures of musical Modernism, from Alban Berg to Paul Hindemith, and from Richard Strauss to Kurt Weill, actually had a significant relationship with cinema. True, it was a complex and contradictory relationship in which cinema often emerged more as an aesthetic point of reference than an objective reality; nonetheless, the reception of the language and aesthetic of cinema had significant influence on the domain of music. Between 1913 and 1933, Modernist composers' exploration of cinema reached such a degree of pervasiveness and consistency as to become a true aesthetic paradigm, a paradigm that sat at the very heart of the Modernist project. In this insightful volume, Finocchiaro shows that the creative confrontation with the avant-garde medium par excellence can be regarded as a vector of musical Modernism: a new aesthetic paradigm for the very process - of deliberate misinterpretation, creative revisionism, and sometimes even intentional subversion of the Classic-Romantic tradition - which realized the "dream of Otherness" of the Modernist generation.

ISBN: 9783319582627$q(electronic bk.)

Standard No.: 10.1007/978-3-319-58262-7doiSubjects--Topical Terms:

583805
Motion pictures
--History--Germany--20th century.

LC Class. No.: PN1993.5.G3 / F63 2017

Dewey Class. No.: 791.4309430901

Musical modernism and German cinema from 1913 to 1933
LDR:02777nmm a2200313 a 4500 001 525724
003 DE-He213
005 20171219095203.0
006 m d
007 cr nn 008maaau
008 180918s2017 gw s 0 eng d
020 $a 9783319582627$q(electronic bk.)
020 $a 9783319582610$q(paper)
024 7 $a 10.1007/978-3-319-58262-7 $2 doi
035 $a 978-3-319-58262-7
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.G3 $b F63 2017
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
082 0 4 $a 791.4309430901 $2 23
090 $a PN1993.5.G3 $b F515 2017
100 1 $a Finocchiaro, Francesco. $3 798144
245 1 0 $a Musical modernism and German cinema from 1913 to 1933 $h [electronic resource] / $c by Francesco Finocchiaro.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2017.
300 $a xix, 259 p. : $b ill. (some col.), music, digital ; $c 22 cm.
505 0 $a 1. Introduction: The cinematic paradigm -- 2. Prologue. Cinema and the arts -- 3. Cinema and expressionist drama -- 4. Paul Hindemtih and the cinematic universe -- 5. Edmund Meisel: the cinematic composer -- 6. Der Rosenkavalier: a problematic remediation -- 7. Cinema and musical theatre: Kurt Weill and the Filmmusik in Royal Palace -- 8. Alban Berg, Lulu and cinema as artifice -- 9. New Objectivity and abstract cinema -- 10. Between film music and chamber music -- 11. Epilogue. The dawn of sound cinema.
520 $a This book investigates the relationship between musical Modernism and German cinema. It paves the way for anunorthodox path of research, one which has been little explored up until now. The main figures of musical Modernism, from Alban Berg to Paul Hindemith, and from Richard Strauss to Kurt Weill, actually had a significant relationship with cinema. True, it was a complex and contradictory relationship in which cinema often emerged more as an aesthetic point of reference than an objective reality; nonetheless, the reception of the language and aesthetic of cinema had significant influence on the domain of music. Between 1913 and 1933, Modernist composers' exploration of cinema reached such a degree of pervasiveness and consistency as to become a true aesthetic paradigm, a paradigm that sat at the very heart of the Modernist project. In this insightful volume, Finocchiaro shows that the creative confrontation with the avant-garde medium par excellence can be regarded as a vector of musical Modernism: a new aesthetic paradigm for the very process - of deliberate misinterpretation, creative revisionism, and sometimes even intentional subversion of the Classic-Romantic tradition - which realized the "dream of Otherness" of the Modernist generation.
650 0 $a Motion pictures $z Germany $x History $y 20th century. $3 583805
650 0 $a Motion pictures and music. $3 364664
650 0 $a Motion picture music $z Germany $x History and criticism. $3 798145
650 0 $a Modernism (Music) $z Germany. $3 798146
650 1 4 $a Cultural and Media Studies. $3 732821
650 2 4 $a Film and Television Studies. $3 740041
650 2 4 $a Music. $3 227185
650 2 4 $a European Culture. $3 744829
650 2 4 $a Cultural History. $3 742092
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-58262-7
950 $a Literature, Cultural and Media Studies (Springer-41173)