國立高雄大學圖資館 |

Language: English

Back

Politics and aesthetics of the femal...

SpringerLink (Online service)

Politics and aesthetics of the female form, 1908-1918

Record Type:	Electronic resources : Monograph/item
Title/Author:	Politics and aesthetics of the female form, 1908-1918by Georgina Williams.
Author:	Williams, Georgina.
Published:	Cham :Springer International Publishing :2018.
Description:	xi, 189 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Women in artAesthetics.
Online resource:	http://dx.doi.org/10.1007/978-3-319-75729-2
ISBN:	9783319757292$q(electronic bk.)

Politics and aesthetics of the female form, 1908-1918
Williams, Georgina.

Politics and aesthetics of the female form, 1908-1918[electronic resource] /by Georgina Williams. - Cham :Springer International Publishing :2018. - xi, 189 p. :ill., digital ;22 cm.

1. Introduction: Women in the Frame -- 2. The Reshaping of Society and the Rise of the Avant-Gardes -- 3. Inside and Outside the Frame: The Female Figure as Subject and Artist -- 4. The Politics of Aesthetics and the Woman Question -- 5. From Presence to Absence: Exploiting Female Sexuality in Visual Culture -- 6. A Visual Genealogy: Tracing the Threads as Nodes Within a Network -- 7. Women in the Frame: To Be Concluded -- Index.

This book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth's 'line of beauty' are explored, and their legacies assessed and followed through into the twenty-first century. Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women's roles throughout history, through literature and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence.

ISBN: 9783319757292$q(electronic bk.)

Standard No.: 10.1007/978-3-319-75729-2doiSubjects--Topical Terms:

809726
Women in art
--Aesthetics.

LC Class. No.: N7630 / .W48 2018

Dewey Class. No.: 704.9424

Politics and aesthetics of the female form, 1908-1918
LDR:02327nmm a2200313 a 4500 001 533848
003 DE-He213
005 20180927164649.0
006 m d
007 cr nn 008maaau
008 181205s2018 gw s 0 eng d
020 $a 9783319757292$q(electronic bk.)
020 $a 9783319757285$q(paper)
024 7 $a 10.1007/978-3-319-75729-2 $2 doi
035 $a 978-3-319-75729-2
040 $a GP $c GP
041 0 $a eng
050 4 $a N7630 $b .W48 2018
072 7 $a HBJD1 $2 bicssc
072 7 $a HIS015000 $2 bisacsh
082 0 4 $a 704.9424 $2 23
090 $a N7630 $b .W723 2018
100 1 $a Williams, Georgina. $3 750146
245 1 0 $a Politics and aesthetics of the female form, 1908-1918 $h [electronic resource] / $c by Georgina Williams.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a xi, 189 p. : $b ill., digital ; $c 22 cm.
505 0 $a 1. Introduction: Women in the Frame -- 2. The Reshaping of Society and the Rise of the Avant-Gardes -- 3. Inside and Outside the Frame: The Female Figure as Subject and Artist -- 4. The Politics of Aesthetics and the Woman Question -- 5. From Presence to Absence: Exploiting Female Sexuality in Visual Culture -- 6. A Visual Genealogy: Tracing the Threads as Nodes Within a Network -- 7. Women in the Frame: To Be Concluded -- Index.
520 $a This book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth's 'line of beauty' are explored, and their legacies assessed and followed through into the twenty-first century. Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women's roles throughout history, through literature and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence.
650 0 $a Women in art $x Aesthetics. $3 809726
650 0 $a Women in art $x Political aspects $z Great Britain. $3 809727
650 0 $a Women $x Political activity $z Great Britain $x History $y 20th century. $3 460741
650 0 $a Women $x Suffrage $z Great Britain $x History $y 20th century. $3 473467
650 1 4 $a History. $3 263737
650 2 4 $a History of Britain and Ireland. $3 739805
650 2 4 $a Women's Studies. $3 212436
650 2 4 $a Social History. $3 739807
650 2 4 $a History of Modern Europe. $3 747753
650 2 4 $a Cultural History. $3 742092
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-75729-2
950 $a History (Springer-41172)