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Staging Chinese Revolution :theater,...

Chen, Xiaomei, (1954-)

Staging Chinese Revolution :theater, film, and the afterlives of propaganda /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Staging Chinese Revolution :Xiaomei Chen
Reminder of title:	theater, film, and the afterlives of propaganda /
Author:	Chen, Xiaomei,
Description:	1 online resource (xii, 363 pages) :illustrations
Subject:	TheaterPolitical aspects20th centuryChina
Subject:	China
Online resource:	http://portal.igpublish.com/iglibrary/search/COLB0002339.html
ISBN:	9780231541619$q(electronic bk.)

Staging Chinese Revolution :theater, film, and the afterlives of propaganda /
Chen, Xiaomei,1954-

Staging Chinese Revolution :theater, film, and the afterlives of propaganda /Xiaomei Chen - 1 online resource (xii, 363 pages) :illustrations

Includes bibliographical references and index

Introduction: Propaganda performance, history, and landscape -- The place of Chen Duxiu: political theater, dramatic history, and the question of representation -- Returning a people's hero: a "new" legacy in the plays of Mao -- Staging Deng Xiaoping: the "incorrigible capitalist roader" -- Performing the "red classics" : three revolutionary music-and-dance epics and their peaceful restorations -- Epilogue: Where are the "founding mothers"?

Staging Chinese Revolution surveys fifty years of theatrical propaganda performances in China, revealing a dynamic, commercial capacity in works often dismissed as artifacts of censorship. Spanning the 1960s through the 2010s, Xiaomei Chen reads films, plays, operas, and television shows from an interdisciplinary and comparative perspective, demonstrating how, in a socialist state with capitalist characteristics, propaganda performance turns biographies, memoirs, and war stories into mainstream ideological commodities, legitimizing the state and its right to rule. Analyzing propaganda performance also brings contradictions and inconsistencies to light that throw common understandings about propaganda's purpose into question

ISBN: 9780231541619$q(electronic bk.)

LCCN: 2016002640Subjects--Topical Terms:

804319
Theater
--Political aspects--China--20th centurySubjects--Geographical Terms:

236825
China

LC Class. No.: DS777.549

Dewey Class. No.: 951.05072

Staging Chinese Revolution :theater, film, and the afterlives of propaganda /
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505 0 $a Introduction: Propaganda performance, history, and landscape -- The place of Chen Duxiu: political theater, dramatic history, and the question of representation -- Returning a people's hero: a "new" legacy in the plays of Mao -- Staging Deng Xiaoping: the "incorrigible capitalist roader" -- Performing the "red classics" : three revolutionary music-and-dance epics and their peaceful restorations -- Epilogue: Where are the "founding mothers"?
520 $a Staging Chinese Revolution surveys fifty years of theatrical propaganda performances in China, revealing a dynamic, commercial capacity in works often dismissed as artifacts of censorship. Spanning the 1960s through the 2010s, Xiaomei Chen reads films, plays, operas, and television shows from an interdisciplinary and comparative perspective, demonstrating how, in a socialist state with capitalist characteristics, propaganda performance turns biographies, memoirs, and war stories into mainstream ideological commodities, legitimizing the state and its right to rule. Analyzing propaganda performance also brings contradictions and inconsistencies to light that throw common understandings about propaganda's purpose into question
520 $a Chen focuses on revisionist histories that stage the lives of the "founding fathers" of the Communist Party, such as Chen Duxiu, Mao Zedong, and Deng Xiaoping, and the engaging mix of elite and ordinary characters that animate official propaganda in the private and public sphere. Taking the form of "personal" memories and representing star and youth culture and cyberspace, contemporary Chinese propaganda appeals through multiple perspectives, complicating relations among self, subject, agent, state building, and national identity. Chen treats Chinese performance as an extended form of political theater confronting critical issues of commemoration, nostalgia, state rituals, and contested history. It is through these reenactments that three generations of revolutionary leaders loom in extraordinary ways over Chinese politics and culture
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