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Space in Romanian and Hungarian cinema

Batori, Anna.

Space in Romanian and Hungarian cinema

Record Type:	Electronic resources : Monograph/item
Title/Author:	Space in Romanian and Hungarian cinemaby Anna Batori.
Author:	Batori, Anna.
Published:	Cham :Springer International Publishing :2018.
Description:	xii, 207 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Motion picturesSetting and sceneryRomania.
Online resource:	http://dx.doi.org/10.1007/978-3-319-75951-7
ISBN:	9783319759517$q(electronic bk.)

Space in Romanian and Hungarian cinema
Batori, Anna.

Space in Romanian and Hungarian cinema[electronic resource] /by Anna Batori. - Cham :Springer International Publishing :2018. - xii, 207 p. :ill., digital ;22 cm.

1. Introduction -- 2. The socialist production of Eastern European space. - 3. The socialist cinema of Romania -- 4. The Romanian films of the transition period -- 5. The Romanian New Cinema -- 6. The cinema of Cristi Puiu -- 7. The cinema of Corneliu Porumboiu -- Horizontal enclosure in the post-socialist cinema of Hungary -- Space in contemporary Hungarian cinema -- 8. Horizontal enclosure in the post-socialist cinema of Hungary -- 9. Space in contemporary Hungarian cinema -- 10. Films of the cursed Hungarian landscape -- 11. Conclusion.

This book examines the structuring of space in Romanian and Hungarian cinema, and particularly how space is used to express the deep imprint of a socialist past on a post-socialist present. It considers this legacy of the Eastern European socialist regimes by interrogating the suffocating, tyrannical and enclosing structures that are presented in film. By tracing such paradigmatic models as horizontal and vertical enclosure, this book aims to show how enclosed spatial structuring restages the post-socialist era to produce an implicit and collective form of remembrance. While closely scrutinizing the interplay of location and image, Space in Romanian and Hungarian Cinema offers a new approach to the cinema of the region, which unites the filmic productions under a defined, post-socialist Eastern European spatial umbrella. By simultaneously portraying the gloom of a socialist past, while also conveying a sense of longing for a pre-capitalist era, these films convey how sense of unity and also ambivalence is a defining hallmark of Eastern European cinema.

ISBN: 9783319759517$q(electronic bk.)

Standard No.: 10.1007/978-3-319-75951-7doiSubjects--Topical Terms:

816229
Motion pictures
--Setting and scenery--Romania.

LC Class. No.: PN1995.9.S4 / B37 2018

Dewey Class. No.: 791.43025

Space in Romanian and Hungarian cinema
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505 0 $a 1. Introduction -- 2. The socialist production of Eastern European space. - 3. The socialist cinema of Romania -- 4. The Romanian films of the transition period -- 5. The Romanian New Cinema -- 6. The cinema of Cristi Puiu -- 7. The cinema of Corneliu Porumboiu -- Horizontal enclosure in the post-socialist cinema of Hungary -- Space in contemporary Hungarian cinema -- 8. Horizontal enclosure in the post-socialist cinema of Hungary -- 9. Space in contemporary Hungarian cinema -- 10. Films of the cursed Hungarian landscape -- 11. Conclusion.
520 $a This book examines the structuring of space in Romanian and Hungarian cinema, and particularly how space is used to express the deep imprint of a socialist past on a post-socialist present. It considers this legacy of the Eastern European socialist regimes by interrogating the suffocating, tyrannical and enclosing structures that are presented in film. By tracing such paradigmatic models as horizontal and vertical enclosure, this book aims to show how enclosed spatial structuring restages the post-socialist era to produce an implicit and collective form of remembrance. While closely scrutinizing the interplay of location and image, Space in Romanian and Hungarian Cinema offers a new approach to the cinema of the region, which unites the filmic productions under a defined, post-socialist Eastern European spatial umbrella. By simultaneously portraying the gloom of a socialist past, while also conveying a sense of longing for a pre-capitalist era, these films convey how sense of unity and also ambivalence is a defining hallmark of Eastern European cinema.
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