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Production of the 'self' in the digi...
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Ibrahim, Yasmin.
Production of the 'self' in the digital age
Record Type:
Electronic resources : Monograph/item
Title/Author:
Production of the 'self' in the digital ageby Yasmin Ibrahim.
Author:
Ibrahim, Yasmin.
Published:
Cham :Springer International Publishing :2018.
Description:
xi, 104 p. :digital ;22 cm.
Contained By:
Springer eBooks
Subject:
Self-presentationTechnological innovations.
Online resource:
http://dx.doi.org/10.1007/978-3-319-74436-0
ISBN:
9783319744360$q(electronic bk.)
Production of the 'self' in the digital age
Ibrahim, Yasmin.
Production of the 'self' in the digital age
[electronic resource] /by Yasmin Ibrahim. - Cham :Springer International Publishing :2018. - xi, 104 p. :digital ;22 cm.
1. Coalescing the Mirror and the Screen -- 2. Banal Imaging; Domesticity and the Everyday -- 3. Self, Screen and the Formation of Desire -- 4. Self and the Production of Value online -- 5. Self and its Strategies for Immortality. .
This book investigates the relationship between the self and screen in the digital age, and examines how the notion of the self is re-negotiated and curated online. The chapters examine the production of the self in postmodernity through digital platforms by employing key concepts of ubiquity, the everyday, disembodiment and mortality. It locates self-production through ubiquitous imaging of the self and our environments with and through mobile technologies and in terms of its 'embeddedness' in our everyday lives. In this innovative text, Yasmin Ibrahim explores technology's co-location on our corporeal body, our notions of domesticity and banality, our renewed relationship with the screen and our enterprise with capital as well as the role of desire in the formation of the self. The result is a richly interdisciplinary volume that seeks to examine the formation of the self online, through its renewed negotiations with personalised technologies and with the emergence of social networking sites.
ISBN: 9783319744360$q(electronic bk.)
Standard No.: 10.1007/978-3-319-74436-0doiSubjects--Topical Terms:
819127
Self-presentation
--Technological innovations.
LC Class. No.: HM1066 / .I37 2018
Dewey Class. No.: 302.5
Production of the 'self' in the digital age
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1. Coalescing the Mirror and the Screen -- 2. Banal Imaging; Domesticity and the Everyday -- 3. Self, Screen and the Formation of Desire -- 4. Self and the Production of Value online -- 5. Self and its Strategies for Immortality. .
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This book investigates the relationship between the self and screen in the digital age, and examines how the notion of the self is re-negotiated and curated online. The chapters examine the production of the self in postmodernity through digital platforms by employing key concepts of ubiquity, the everyday, disembodiment and mortality. It locates self-production through ubiquitous imaging of the self and our environments with and through mobile technologies and in terms of its 'embeddedness' in our everyday lives. In this innovative text, Yasmin Ibrahim explores technology's co-location on our corporeal body, our notions of domesticity and banality, our renewed relationship with the screen and our enterprise with capital as well as the role of desire in the formation of the self. The result is a richly interdisciplinary volume that seeks to examine the formation of the self online, through its renewed negotiations with personalised technologies and with the emergence of social networking sites.
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Literature, Cultural and Media Studies (Springer-41173)
based on 0 review(s)
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電子館藏
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1
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000000160475
電子館藏
1圖書
電子書
EB HM1066 I14 2018 2018
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1 records • Pages 1 •
1
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http://dx.doi.org/10.1007/978-3-319-74436-0
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