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Economies of collaboration in perfor...
~
Savage, Karen.
Economies of collaboration in performancemore than the sum of the parts /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Economies of collaboration in performanceby Karen Savage, Dominic Symonds.
Reminder of title:
more than the sum of the parts /
Author:
Savage, Karen.
other author:
Symonds, Dominic.
Published:
Cham :Springer International Publishing :2018.
Description:
xiii, 311 p. :digital ;24 cm.
Contained By:
Springer eBooks
Subject:
Performance art.
Online resource:
http://dx.doi.org/10.1007/978-3-319-95210-9
ISBN:
9783319952109$q(electronic bk.)
Economies of collaboration in performancemore than the sum of the parts /
Savage, Karen.
Economies of collaboration in performance
more than the sum of the parts /[electronic resource] :by Karen Savage, Dominic Symonds. - Cham :Springer International Publishing :2018. - xiii, 311 p. :digital ;24 cm.
1. Introduction -- 2. Economics -- 3. Collaboration -- 4. Biopolitics -- 5. Network -- 6. Audience -- 7. Host -- 8. Swarm -- 9. Crowd -- 10. Conclusion.
This is a book about collaboration in the arts, which explores how working together seems to achieve more than the sum of the parts. It introduces ideas from economics to conceptualize notions of externalities, complementarity, and emergence, and playfully explores collaborative structures such as the swarm, the crowd, the flock, and the network. It uses up-to-date thinking about Wikinomics, Postcapitalism, and Biopolitics, underpinned by ideas from Foucault, Bourriaud, and Hardt and Negri. In a series of thought-provoking case studies, the authors consider creative practices in theatre, music and film. They explore work by artists such as Gob Squad, Eric Whitacre, Dries Verhoeven, Pete Wyer, and Tino Seghal, and encounter both live and online collaborative possibilities in fascinating discussions of Craigslist and crowdfunding at the Edinburgh Festival. What is revealed is that the introduction of Web 2.0 has enabled a new paradigm of artistic practice to emerge, in which participatory encounters, collaboration, and online dialogue become key creative drivers. Written itself as a collaborative project between Karen Savage and Dominic Symonds, this is a strikingly original take on the economics of working together.
ISBN: 9783319952109$q(electronic bk.)
Standard No.: 10.1007/978-3-319-95210-9doiSubjects--Topical Terms:
223857
Performance art.
LC Class. No.: N6497 / .S283 2018
Dewey Class. No.: 709.050155
Economies of collaboration in performancemore than the sum of the parts /
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more than the sum of the parts /
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by Karen Savage, Dominic Symonds.
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1. Introduction -- 2. Economics -- 3. Collaboration -- 4. Biopolitics -- 5. Network -- 6. Audience -- 7. Host -- 8. Swarm -- 9. Crowd -- 10. Conclusion.
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This is a book about collaboration in the arts, which explores how working together seems to achieve more than the sum of the parts. It introduces ideas from economics to conceptualize notions of externalities, complementarity, and emergence, and playfully explores collaborative structures such as the swarm, the crowd, the flock, and the network. It uses up-to-date thinking about Wikinomics, Postcapitalism, and Biopolitics, underpinned by ideas from Foucault, Bourriaud, and Hardt and Negri. In a series of thought-provoking case studies, the authors consider creative practices in theatre, music and film. They explore work by artists such as Gob Squad, Eric Whitacre, Dries Verhoeven, Pete Wyer, and Tino Seghal, and encounter both live and online collaborative possibilities in fascinating discussions of Craigslist and crowdfunding at the Edinburgh Festival. What is revealed is that the introduction of Web 2.0 has enabled a new paradigm of artistic practice to emerge, in which participatory encounters, collaboration, and online dialogue become key creative drivers. Written itself as a collaborative project between Karen Savage and Dominic Symonds, this is a strikingly original take on the economics of working together.
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Literature, Cultural and Media Studies (Springer-41173)
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EB N6497 S264 2018 2018
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1 records • Pages 1 •
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http://dx.doi.org/10.1007/978-3-319-95210-9
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