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3D cinematic aesthetics and storytelling
~
Liu, Yong.
3D cinematic aesthetics and storytelling
Record Type:
Electronic resources : Monograph/item
Title/Author:
3D cinematic aesthetics and storytellingby Yong Liu.
Author:
Liu, Yong.
Published:
Cham :Springer International Publishing :2018.
Description:
xiv, 217 p. :digital ;24 cm.
Contained By:
Springer eBooks
Subject:
3-D filmsHistory and criticism.
Online resource:
http://dx.doi.org/10.1007/978-3-319-72742-4
ISBN:
9783319727424$q(electronic bk.)
3D cinematic aesthetics and storytelling
Liu, Yong.
3D cinematic aesthetics and storytelling
[electronic resource] /by Yong Liu. - Cham :Springer International Publishing :2018. - xiv, 217 p. :digital ;24 cm.
This book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D's spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013) The book is an investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions.
ISBN: 9783319727424$q(electronic bk.)
Standard No.: 10.1007/978-3-319-72742-4doiSubjects--Topical Terms:
821190
3-D films
--History and criticism.
LC Class. No.: TR854 / .L589 2018
Dewey Class. No.: 791.436
3D cinematic aesthetics and storytelling
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2018.
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24 cm.
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This book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D's spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013) The book is an investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions.
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3-D films
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Cinematography.
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Motion pictures
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Aesthetics.
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Storytelling in mass media.
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Cultural and Media Studies.
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Film/TV Technology.
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http://dx.doi.org/10.1007/978-3-319-72742-4
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Literature, Cultural and Media Studies (Springer-41173)
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電子館藏
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000000159832
電子館藏
1圖書
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EB TR854 L783 2018 2018
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1 records • Pages 1 •
1
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http://dx.doi.org/10.1007/978-3-319-72742-4
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