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Hip hop, Hegel and the art of emanci...
~
Hegel, Georg Wilhelm Friedrich, (1770-1831.)
Hip hop, Hegel and the art of emancipationlet's get free /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Hip hop, Hegel and the art of emancipationby Jim Vernon.
Reminder of title:
let's get free /
Author:
Vernon, Jim.
Published:
Cham :Springer International Publishing :2018.
Description:
vii, 259 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
Hip-hopSocial aspects.
Online resource:
http://dx.doi.org/10.1007/978-3-319-91304-9
ISBN:
9783319913049$q(electronic bk.)
Hip hop, Hegel and the art of emancipationlet's get free /
Vernon, Jim.
Hip hop, Hegel and the art of emancipation
let's get free /[electronic resource] :by Jim Vernon. - Cham :Springer International Publishing :2018. - vii, 259 p. :ill., digital ;24 cm.
Chapter 1: Introduction -- Chapter 2: The South Bronx, or the 'State of Nature' -- Chapter 3: Graffiti Writing, or The Symbolic Stage Art -- Chapter 4: DJing and Breaking, or The Classical Stage of Art -- Chapter 5: MCing, or The Romantic Stage of Art -- Chapter 6: Knowledge, or From Art to Religion, Philosophy and Politics -- Chapter 7: Conclusion.
This book argues that Hip Hop's early history in the South Bronx charts a course remarkably similar to the conceptual history of artistic creation presented in Hegel's Lectures on Aesthetics. It contends that the resonances between Hegel's account of the trajectory of art in general, and the historical shifts in the particular culture of Hip Hop, are both numerous and substantial enough to make us re-think not only the nature and import of Hegel's philosophy of art, but the origin, essence and lesson of Hip Hop. As a result, the book articulates and defends a unique reading of Hegel's Aesthetics, as well as providing a philosophical explanation of the Hip Hop community's transition from total social abandonment to some limited form of social inclusion, via the specific mediation of an artistic culture grounded in novel forms of sensible expression. Thus, the fundamental thesis of this book is that Hegel and Hip Hop are mutually illuminating, and when considered in tandem each helps to clarify and reinforce the validity and power of the other.
ISBN: 9783319913049$q(electronic bk.)
Standard No.: 10.1007/978-3-319-91304-9doiSubjects--Personal Names:
178344
Hegel, Georg Wilhelm Friedrich,
1770-1831.Subjects--Topical Terms:
803973
Hip-hop
--Social aspects.
LC Class. No.: ML3918.R37 / V476 2018
Dewey Class. No.: 782.42164901
Hip hop, Hegel and the art of emancipationlet's get free /
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Chapter 1: Introduction -- Chapter 2: The South Bronx, or the 'State of Nature' -- Chapter 3: Graffiti Writing, or The Symbolic Stage Art -- Chapter 4: DJing and Breaking, or The Classical Stage of Art -- Chapter 5: MCing, or The Romantic Stage of Art -- Chapter 6: Knowledge, or From Art to Religion, Philosophy and Politics -- Chapter 7: Conclusion.
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This book argues that Hip Hop's early history in the South Bronx charts a course remarkably similar to the conceptual history of artistic creation presented in Hegel's Lectures on Aesthetics. It contends that the resonances between Hegel's account of the trajectory of art in general, and the historical shifts in the particular culture of Hip Hop, are both numerous and substantial enough to make us re-think not only the nature and import of Hegel's philosophy of art, but the origin, essence and lesson of Hip Hop. As a result, the book articulates and defends a unique reading of Hegel's Aesthetics, as well as providing a philosophical explanation of the Hip Hop community's transition from total social abandonment to some limited form of social inclusion, via the specific mediation of an artistic culture grounded in novel forms of sensible expression. Thus, the fundamental thesis of this book is that Hegel and Hip Hop are mutually illuminating, and when considered in tandem each helps to clarify and reinforce the validity and power of the other.
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Religion and Philosophy (Springer-41175)
based on 0 review(s)
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電子館藏
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EB ML3918.R37 V541 2018 2018
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1 records • Pages 1 •
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http://dx.doi.org/10.1007/978-3-319-91304-9
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