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Kinesthetic spectatorship in the the...

Garner, Stanton B.

Kinesthetic spectatorship in the theatrephenomenology, cognition, movement /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Kinesthetic spectatorship in the theatreby Stanton B. Garner, Jr.
Reminder of title:	phenomenology, cognition, movement /
Author:	Garner, Stanton B.
Published:	Cham :Springer International Publishing :2018.
Description:	xii, 277 p. :digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Theater audiences.
Online resource:	https://doi.org/10.1007/978-3-319-91794-8
ISBN:	9783319917948$q(electronic bk.)

Kinesthetic spectatorship in the theatrephenomenology, cognition, movement /
Garner, Stanton B.

Kinesthetic spectatorship in the theatrephenomenology, cognition, movement /[electronic resource] :by Stanton B. Garner, Jr. - Cham :Springer International Publishing :2018. - xii, 277 p. :digital ;22 cm. - Cognitive studies in literature and performance. - Cognitive studies in literature and performance..

Introduction -- Movement and Animation -- Movement, Difference, Ability -- Movement, Attention, and Intentionality -- Kinesthetic Resonance -- Language, Speech, Movement -- Empathy and Otherness.

This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.

ISBN: 9783319917948$q(electronic bk.)

Standard No.: 10.1007/978-3-319-91794-8doiSubjects--Topical Terms:

288337
Theater audiences.

LC Class. No.: PN2071.M6 / G37 2018

Dewey Class. No.: 792

Kinesthetic spectatorship in the theatrephenomenology, cognition, movement /
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245 1 0 $a Kinesthetic spectatorship in the theatre $h [electronic resource] : $b phenomenology, cognition, movement / $c by Stanton B. Garner, Jr.
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520 $a This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.
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